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...restaurant started in the kitchen of a catering business in Boston’s Jamaica Plain neighborhood and is noted for its “daily special” pizza, such as a Bartlett pear and spinach combination. “Our name is symbolic. I really wanted a word to express that the specialty of the day wouldn’t be offered tomorrow, or the next day, or even in a year,” Welch said. While Oggi serves breakfast, lunch, and dinner, its busiest hours are during lunch. Welch said students and tourists make...
...ronique Robert has worked her journalistic contacts to press her son's case, and got early word to Sarkozy of what had happened. In an Elysée meeting in July, Sarkozy told the UAE leader that he wanted "utmost attention" given to Alexandre's alleged attack, according to a confidential diplomatic telex from the French ambassador to the Emirates to his bosses in Paris...
...that the two suspects were not infected with the HIV virus, according to French diplomats, even though that appears to be untrue. A document released by government officials to French diplomats in August showed that one man had tested positive while in prison four years ago. Alexandre will receive word only in January whether he was infected during the alleged attack. "There is a lot of malfunctioning, but from where I do not know," says a French diplomat in Dubai, explaining the bungling over the AIDS tests. In late October, the French foreign ministry added a warning for travelers about...
...Meanwhile, the dialogues of patient Madeline (Eneniziaogochukwu “Zia” A. Okocha ’08 with her husband Art (Michael Finnerty) clicked perfectly, breathing life into the script’s pointed game of word-association. Okocha’s regal poise made the poeticism of her breezy babble credible. What’s more, she achieved an entrancing sensuality despite her character’s propensity to doze off at inopportune times. As Madeline’s emotionally absent and unfaithful husband, Art took breaks from his cell phone only to dictate business-related thoughts...
...Jonathan, a sheltered, stuttering slayer of plants, Priour is painful to watch in the best possible way. His Jonathan seems to physically struggle to get each word out, moving awkwardly and practically exuding the fear and awe he has for his mother even when she isn’t present. Priour gives a nuanced performance as a sympathetic character who often seems simply sheltered and odd, but who is also infuriating in his utter spinelessness—while hinting at being seriously imbalanced. Despite these handicaps, Priour and Kargman work together to make Rosalie’s love...