Word: wo
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...fierce swordfight; the balletic battle of Zhang and Chow Yun-fat on bamboo treetops?that lifted Ang Lee's Mandarin drama out of the art houses to become the top-grossing foreign-language film in U.S. history? Why, that ballistic Balanchine, that kung-fu Fosse, that martial master?Yuen Wo-ping...
...second group is the spawn of actor and martial arts instructor Yuen Siu-tin, also known as Simon Yuen. Five sons of Siu-tin have carved notable, knockabout careers in movie action: Wo-ping, Cheung-yan, Chun-yeung (a.k.a. Brandy), Sun-yi (Sunny) and Yat-choh. Among them, these two extended families have won 13 of the 18 Hong Kong Film Awards for best action choreography. Wo-ping got one for the epochal grudge matches between Donnie Yen and Jet Li in Tsui Hark's Once Upon a Time in China...
...Yuen Wo-ping is known to international audiences as the man behind The Matrix, for which he devised the vertiginous virtual hand combat and flying feats that made the movie a gut as well as a head experience. He has won further acclaim for Crouching Tiger, and he was the one person who could say no to the world-class director making his first action film, which happened on more than one occasion. No wonder: the script would read, "They fight," leaving the overall conception to Lee and the hard work of realizing it to Yuen. "When I'm working...
...Yuen knows what works; he has been supervising action scenes since 1971, and directing since 1978. He has helmed two dozen films, including some of the most exciting in Hong Kong history. "Wo-ping has directed more movies than I have," says Lee. "And better ones." In some of these films you will find sensational exploits that are echoed in Crouching Tiger. The vision of a lady thief flying over rooftops is a highlight of Yuen's 1994 Fire Dragon. And the up-a-tree skirmish? Catch the three warriors perched on flaming poles in the 1993 Iron Monkey. This...
...Action directors like Yuen Wo-ping, Corey Yuen and Tony Ching are better than me. At the same time, I have a lot of ideas, which I discuss with directors. What also is important to me is the choreographer. Usually I will sign a contract once I know who that...