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...play the bass as a lead instrument. The tenth and eleventh songs are "Under the Bridge" and "Show Me Your Soul," a cut from the "Pretty Woman" soundtrack, which in addition to funky guitar and an incredible bass line has some of the Chili's wittiest lyrics: "I want to know more than your brain/ Yes I find you so appealing/ When you show me how you're feeling/ You, my friend, need not be kneeling/ Open up and start revealing...Show me your soul...

Author: By John Goldman, | Title: RED HOT: What Hits!? Presents Some of the Chili Pepper's Best | 10/15/1992 | See Source »

These passages are the high points of Shampoo Planet, the moments when Coupland is at his wittiest and cruellest. This is the spirit of the "thought bombs" splattered in the margins of Generation X. ("Pull-the-Plug, Slice-The Pie: a fantasy in which an offspring mentally tallies up the net worth of his parents...

Author: By Joanna M. Weiss, | Title: Lots of Luster, Not Much Body | 8/7/1992 | See Source »

...master of ceremonies, the most thoroughly ruthless character in Orton's thoroughly ruthless world. Harlan's intense Truscott, at once menacing and ridiculous, is an appropriate blend of Sherlock Holmes, a Keystone Kop and Adolf Hitler. His quick-paced style works especially well in some of the play's wittiest exchanges, such as when members of the household find Truscott snooping through their belongings...

Author: By David S. Kurnick, | Title: Loot Not Quite Priceless | 7/24/1992 | See Source »

After that she became the wittiest journalistic headhunter of the '70s. The list of her victims is long, but the names matter less than the grounds for their execution. Like all good essayists, she was basically a moralist, sketching types of irresponsible privilege (Schiff), proprietary righteousness (Betty Friedan), oracular emptiness (Theodore White), poses of profundity (Gail Sheehy) and head-over-heels self-infatuation (Brendan Gill...

Author: /time Magazine | Title: How To Repossess A Life: NORA EPHRON | 1/27/1992 | See Source »

Gray does escape to, of all places, Los Angeles. And Gray is near his wittiest when he rails sarcastically against the city. He is inspired by the view of distant hills, "that you can see on the seven clear days every year." Gray also becomes fond of "idea lunches," where producers want him to join them to "see if he has any ideas...

Author: By Ross I. Daniels, | Title: Spaulding Gray's Monstrous Monologue | 10/25/1991 | See Source »

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