Word: winterbottom
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...This World is a road movie?a Silk Road movie. It is also a strange hybrid of documentary and fiction. Torabi is an actual Afghan ?migr?; he and Enayatullah more or less play themselves on their westward adventure. Director Michael Winterbottom (Jude, Welcome to Sarajevo) went along for the ride, often improvising dialogue with people the boys met. At times the danger seems real: rifle fire at a Turkish border, captured on infrared film, comes perilously close to the two boys?and the crew. Did the film put the lads at risk? This is an expos? that occasionally smacks...
...Welcome to Sarajevo War-loving, war weary, a journalist rescues an orphan from the Bosnian chaos but can't explain his sudden fall into grace. Michael Winterbottom's film dares to suggest that small acts of goodness cannot stem the vast tides of historical tragedy. In movies, that's an unexpected--and sobering--perspective...
This could have turned out to be an exercise in easy sentiment, easy to shrug off. But Frank Cottrell Boyce's script is carefully understated, and director Michael Winterbottom has achieved a remarkably seamless blend of fictional and factual footage. You gain from their work--and from a wonderfully real cast that includes Woody Harrelson--a very powerful impression of a population trying to maintain the small comforts of quotidian routines, common civility, as the only available defense against the surrounding anarchy. And you begin to see the goodness of Henderson's deed not as a carefully considered moral...
...PLAYERS] Woody Harrelson; director Michael Winterbottom (Jude...
Jude, a careful, finally powerful film adapted by Hossein Amini and directed by Michael Winterbottom, places its hero and heroine in the context of a society that rejects their mild bohemianism. Jude (Christopher Eccleston) studies for the sheer pleasure of the text; Sue (Kate Winslet) flaunts her agnosticism and struts in bars, turning a cigarette into a smokestack (a gesture used so well in Francois Truffaut's Jules and Jim, the classic film about the perils of loving a liberated woman). They are also the modern homeless: their evictions from "decent" homes set up an atrocity that still shocks...