Word: windowless
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Chapman and Louis Coxe, co-authors of the play, used only two sets, but they are totally different, and there are six scene changes. When the curtain rises, the General's office is seen. The script says ". . . windowless, blank, austere walls. Sense of claustrophobia." Herrey achieved the desired effect by the use of a shallow stage and high ceiling...
Their smoky, orange-red torches of bamboo and pitch balls reflected off the somber, jagged ruins, dusty brick and grimy concrete of windowless, crumbling buildings along the line of march. It said much for a stouthearted people, the pride they had found in their new, battle-tested armies and the unity they had found in their common peril, that they could celebrate amidst such desolation...
...near by, seem even closer to Mexico's Indian past. Actually, the structures are made largely of concrete, and the local volcanic rock is used merely as a coating. A far more striking blending of Indian and international is Architect-Muralist Juan O'Gorman's magnificent windowless library (see opposite page). O'Gorman, son of an Irish father and Mexican mother, has decorated the four sides of his tower with vast and vivid mosaics pairing heraldic symbols of Mexico's Mediterranean and Middle American pasts, the feathered serpent of Quetzalcoatl and the cross of Cort...
...miners' homes. Over a cow-dung fire, Sabino Perez' wife cooks the evening meal of potatoes; because of the low boiling point at 12,800 feet they come out of the pan almost as raw and hard as they went in. Blue-cheeked children huddle inside the windowless, dirt-floored, one-room hut to escape the biting mountain wind. Within are a bed, two chairs, and a four-inch figure of the Infant Jesus on a homemade altar; magazine pictures of bathing beauties, futbol players and stern-faced priests are tacked indiscriminately around the walls. The house...
...Windowless Walls. Though most of the kudos for the overall slab design must go to Corbusier, the panel credits Harrison with translating the basic ideas into blueprints. The final decisions were also his, as chief planner. Most of the time he would sit back, listen to the arguments, then advance his own practical solutions. When the group was satisfied that it had sketched out a workable U.N. workshop, it was time to think about "making a monument." Part of the solution was to sheath the two ends of the Secretariat in unbroken, windowless walls of marble. But even here, Harrison...