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Dionne came to Harvard the year after the famed 1969 takeover of University Hall. He recalls looking out of the window of his Expository Writing class in Holyoke Center and seeing students rioting below in Harvard Square...

Author: By Gregory S. Krauss, CRIMSON STAFF WRITER | Title: Dionne Shuns Partisan Politics | 6/2/1998 | See Source »

...sudden gunfire between Muslims and Serbs 30 yards from their table brought the elegant courses to a rapid halt. Bullets whizzed past the window as Galbraith and Silajdzic fled the area in an armored land rover...

Author: By Jenny E. Heller, CRIMSON STAFF WRITER | Title: Diplomat Galbraith Makes Peace His Career | 6/2/1998 | See Source »

...wish I remembered more of what F.O. Matthessen had to say in his lectures, and Archibald Macleish's stories about Hemingway in Paris as we sat in his Widener office with the spring sun streaming through the window, but I remember the teepee swaying, and the rabbit on the Great Hall table and the tuba player from the Boston Pops who played solo at a cocktail party we gave in Eliot B-42. The tuba player said he'd never been asked to do such a thing before--to play alone at a cocktail party, and he truly enjoyed...

Author: By George A. Plimpton, HARVARD CLASS OF 1948 | Title: Passing Geography, Playing the Tuba, and Partying the Night Away | 6/1/1998 | See Source »

...ocean dwellers. "The wonderful thing is that it all starts to connect and take on a richness," says Chermayeff. Indeed, it's possible to look past puffins and otters in the foreground and see right into a tank of sharks, rays and groupers. "When you look through the acrylic window, you can lose yourself in the ocean and become involved in some connective way with these little creatures," he says. "The aquarium gives you the opportunity to gaze and dream...

Author: /time Magazine | Title: The Age Of Aquariums | 6/1/1998 | See Source »

...that movie, his previous venture into somewhat more demanding fare, a box-office disappointment. Even his broadest comedies have their moments of genuine pathos. For instance: the scene in Dumb and Dumber in which, having briefly come to the end of his rope, Carrey's character stares out a window and says, "You know what I'm sick and tired of? I'm sick and tired of having to eke my way through life. I'm sick and tired of being a nobody. I'm sick and tired of having nobody." Sharing the scene with a bowl haircut...

Author: /time Magazine | Title: Cinema: Don't Laugh | 6/1/1998 | See Source »

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