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Word: wildness (lookup in dictionary) (lookup stats)
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...soul-a. It's nearly always a little too sweet, with Young's voice reaching high to deliver heartfelt avowals of love tinged with sadness at the state of the world. A tightly professional backup of organ, mid-tempo drums and precise rhythm guitar keeps him from getting too wild and loose. But most songs go on for too long, and the rare tracks where he lets a little anger creep in, like Let's Roll, his homage to the Sept. 11 passengers of Flight 93, come as a welcome change. Too much sugar damages any dish, whether...

Author: /time Magazine | Title: Music: Are You Passionate? | 4/8/2002 | See Source »

...organized by Shunsui Matsuda, a benshi who died in 1987. The clubs re-created the original conditions of silent screenings. Last fall, the Pordenone festival invited Midori Sawato, the last in the line of professional benshi, to perform. She transformed herself from a petite mild-mannered woman to a wild narrator on stage, exploding into a shower of tones, sounds and voices...

Author: /time Magazine | Title: Soundless Magic from a Bygone Era | 4/8/2002 | See Source »

...After a wild first five innings that chased three Harvard pitchers—including starter Madhu Satyanarayana—Wahlberg entered the game with the score tied at 7-7. The righty quickly silenced the Big Red, allowing only three hits over the next five innings to earn his first win of the season...

Author: By Lande A. Spottswood, CRIMSON STAFF WRITER | Title: Baseball Sweeps Defending Ivy Champs | 4/8/2002 | See Source »

Sophomore catcher Mickey Kropf doubled to right to leadoff the inning, and then advanced to third on a wild pitch by Quillian. Lopez lifted a sacrifice fly to center field to plate Kropf and stretch Harvard’s lead...

Author: By Lande A. Spottswood, CRIMSON STAFF WRITER | Title: Baseball Sweeps Defending Ivy Champs | 4/8/2002 | See Source »

...original script, written by Peckinpah (The Wild Bunch) and Gordon Dawson, the protagonist is a white American in Mexico City. The film is usually described as a cult classic. “It’s very violent. It’s also tragic in its own way,” Silva says. “Some have called it a strange, weird masterpiece.” In his version of the masterpiece, Silva plans to make the protagonist a Chicano—a Mexican-American. “He becomes a man of two worlds...

Author: By Melissa R. Brewster, CRIMSON STAFF WRITER | Title: Headhunting with Benicio del Toro | 4/5/2002 | See Source »

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