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...amazing story that no one's really talking about," says Paul Dergarabedian, box-office analyst with Hollywood.com. "For a movie starring a 78-year-old to have a $29 million opening weekend in wide release, and in the process to beat out the likes of Anne Hathaway in Bride Wars, I don't know if I've seen that before ... It's a testament to how people still feel about Clint Eastwood...
...Today he's outed. Frost/Nixon, which since early December has been tiptoeing through a few big-city theaters and yesterday garnered five Oscar nominations (including one for Best Picture), breaks out into wide release. And Underworld: Rise of the Lycans, the third in the vampire-werewolf saga, is playing on thousands of screens, hoping to end the weekend as the No. 1 box-office hit. The film's makers shouldn't hope to pick up any Academy Awards when next year's nominations are announced, since the enterprise is sluggish when it's not grinding toward the preposterous. (See Richard...
...logistical glitches the wide-eyed excitement of doing everything for the first time, and what you get are lots of unscripted moments. On Wednesday, when President Obama entered a briefing room at the Old Executive office building, his staff and the press instinctively stood up. Obama was taken off guard. "I'm still getting used to that," he said, after telling everyone to have a seat. Later in the same event, Obama struggled with the practice of using a different pen for every document he signed. "They are very nice pens," the President advised his aides. (See pictures of people...
...form, his latest book, Balti Britain: A Journey Through the British Asian Experience, is a simmering pot of topics that start off as an investigation into the origins of the dish that began life in the curry restaurants of Birmingham, England. It then moves into a historicized and dizzyingly wide-ranging enquiry into the origins, settlement, assimilation and cultures of the subcontinental diaspora in the U.K. So not very much about curry at all really...
...Balanchine’s interpretation, arguably the preeminent version stateside. There is the hustle and bustle of lavishly-dressed Christmas guests making their way to the Silberhaus home, and there is the same wind-up Harlequin and Columbine—an almost eerily perfect Melissa Hough, whose triple pirouettes, wide unblinking eyes, and general look of tart, wooden sweetness was even more ideal than that of an actual porcelain doll. Rather than a toy soldier, though, Nissinen gives a virtuoso turn to a life-size bear danced brilliantly by Paul Craig in a costume that seemed impossibly restricting until...