Word: wholed
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...heart. In common with the other sons of '84, De Smythe was an adorer at the shrine of Miss Evangeline Montmorenci, who dwelt at the palatial mansion No. 1884 Beacon Street, Boston, Mass., U. S. A.; but now his rivals had departed to their respective homes; for the whole winter recess he had a clear field; and his breast swelled with pride and two overcoats as he thought thereupon. He would make the fair creature the recipient of a New Year's gift which should make her his for ever, - something dainty and suggestive. What should it be? After long...
...Harriman, '83, Princeton, taking second place. The Hurdle was won by R. T. Morrow, '81, Lehigh, in 18 1/8 sec., W. P. Trowbridge, S. S., Yale, second by 4 inches. Mitchell, Harvard, '83, was third in his trial heat. The games were on the whole highly successful, and Harvard may be congratulated on winning 5 first prizes, and 3 second; Columbia being second with 4 first prizes and 7 second; Lehigh third, with 2 first; Princeton fourth, with 1 first, and 2 second; Yale and University of Penn., tied for fifth place with 1 first and 1 second each; Stevens...
...regret that the associate press have so grossly misrepresented the late disturbance at Exeter. The Exonian gives, in substance, the following account: About one-fourth of the whole number of students in the Academy, wishing to express their disapproval of the action of the Faculty in removing two young men from the Academy, and in expelling one more of their number, went around to the professors' houses at night and gave a tin-horn serenade. After the serenade some persons who probably were not in the Academy went to the houses of two of the professors and broke some glass...
...first chorus is among the most comprehensible. It is simple, bold, and spirited. The dancing measures occurring at the beginning of the third strophe (p. 20 of the pianoforte score), make a pleasant variety, and the whole has a rythmical ring appropriate to a festive hymn...
...chorus. We now see what was the problem with which Mr. Paine had to deal, and we cannot deny that he has managed in a masterly manner. The chords which always introduce and those which follow the speech of an actor are well suited to their place, and the whole is not disjointed nor ineffective. On the contrary, Mr. Paine has here shown a serious, a religious tone, and a true poetic sense, which enlist our warmest sympathy...