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As on their preceding “Volume One,” Deschanel sings, composes, and plays banjo and piano while Ward contributes production, backup vocals, and guitar playing. But listening to their music, the group sounds a lot more “She” than ?...

Author: By Candace I. Munroe, CRIMSON STAFF WRITER | Title: She & Him | 3/23/2010 | See Source »

McPhee’s obsession with setting hints at the true significance of “Silk Parachute”: collected, these essays reveal not only a stunning attention to detail, but also the degree to which McPhee is steeped in the world in which he was raised?...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: John McPhee’s ‘Silk Parachute’ Is an Uplifting Triumph of Style | 3/23/2010 | See Source »

In “Checkpoints,” McPhee good-naturedly summarizes the unglamorous aspects of journalism: the deliberations about comma placement, the silly follow-up interviews, the tension between writer, editor, fact-checker and subject. It’s enough to deter many who, after the quiet delights of...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: John McPhee’s ‘Silk Parachute’ Is an Uplifting Triumph of Style | 3/23/2010 | See Source »

While he was on the Committee, former Undergraduate Council President Matthew L. Sundquist ’09 says he had heard many “mixed messages” about the quality of students’ required withdrawal experiences: “I would say most students found the process...

Author: By Melody Y. Hu and Eric P. Newcomer, CRIMSON STAFF WRITERS | Title: Forced Withdrawals Come Under Fire | 3/23/2010 | See Source »

In “Remember Me,” two separate, ultimately intertwining familial threads dominate the story. Fast-forward ten years from the jarring opening sequence of her mother’s murder and Ally Craig (Emilie de Ravin) is a student at NYU, alongside the quintessential antihero, Tyler...

Author: By Lillian Yu, CONTRIBUTING WRITER | Title: Remember Me | 3/23/2010 | See Source »

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