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Beauvoir thus found herself caught between asserting and denying difference. Pushing too far toward the former, she risked reifying false understandings of “female nature”; turning toward the latter, she risked refuting the very distinctions that make men men and women women. To be sure, Beauvoir...

Author: By Courtney A. Fiske | Title: Situating Sex | 4/20/2010 | See Source »

Critics latched onto this ambiguity and lambasted “The Second Sex” for ascribing to a masculinist paradigm. By trivializing women’s reproductive labor, the argument went, Beauvoir reinscribed the gendered binaries which she purported to deny, conflating culture with man and nature with woman...

Author: By Courtney A. Fiske | Title: Situating Sex | 4/20/2010 | See Source »

Beauvoir’s “The Second Sex” has since succumbed to obsolescence. New paradigms, denying the structuring of sexual difference as a binary opposition, claim to relegate Beauvoir’s text to a realm of secondary importance. Yet, even if Beauvoir never unequivocally answered...

Author: By Courtney A. Fiske | Title: Situating Sex | 4/20/2010 | See Source »

His aspirations as a jazz musician, which preceded his interest in poetry, continue to have a strong influence on his verse. For Paterson, poetry is first and foremost a transcription of music—“sing me that old silent song,” he writes. His ear...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Paterson’s ‘Rain’ Pours Poems | 4/20/2010 | See Source »

The e-mail was, in fact, sent out as an advertisement for the latest episode of On Harvard Time, which includes a surprisingly hilarious segment on dining hall parties.

Author: By Elias J. Groll, CRIMSON STAFF WRITER | Title: Let's Have Sex in Cabot. Not. | 4/20/2010 | See Source »

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