Word: wellington
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Dates: during 1960-1969
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...failed to outperform the Big Board's index account for some $21 billion-or more than 38%-of all the money in funds. Investors Mutual Fund, the industry's biggest (assets: $3 billion), grew a disappointing 8.45%. A sister fund, Investors Stock ($2.3 billion), gained 8.3%, while Wellington Fund ($1.8 billion) rose only 8%. Fidelity Trend ($1.4 billion), which registered a 34% increase in 1967, achieved no more than a 1.76% rise last year...
...legendary Rothschilds have quite a knack for multiplying their money by backing the right people in the right places. Rothschild gold bought supplies for the Duke of Wellington before Waterloo, financed Disraeli's purchase of the Suez Canal and bankrolled 19th century railroaders as well as modern industrial pioneers in Newfoundland. Soon the Rothschilds will be striking out in still another direction: the lands around the broad Pacific basin, especially Japan...
...ventured into the open to attack-and a providential rainfall bogged down his chariots-Deborah's troops charged down the mountainside to annihilate the Canaanite army. The tactic of luring an enemy into a trap that favors the defense, Gale says, is fundamentally the same maneuver employed by Wellington at Waterloo and by Viscount Montgomery in his victory over Rommel at Alam Haifa...
...outcome, as the victorious Duke of Wellington said of Waterloo, was "the nearest run thing you ever saw." One week before Election Day, nobody would have believed the race could turn out that way. In August, the party that nominated Humphrey at Chicago was a shambles. The old Democratic coalition was disintegrating, with untold numbers of blue-collar workers responding to Wallace's blandishments, Negroes threatening to sit out the election, liberals disaffected over the Viet Nam war, the South lost. The war chest was almost empty, and the party's machinery, neglected by Lyndon Johnson, creaked...
...scenes in England were shot in cloudy weather, and through the grey obscurity emerge ghastly relics of an earlier, pre-industrial age. Richardson presents a society where the past oppresses the present. Near the beginning of the film, we are shown a huge equestrian statue of the Duke of Wellington being drawn through the misty streets of London like a pagan idol. They've had it made, and now they don't know where to put it, someone explains. The statue later comes to rest outside the window of the senile Lord Raglan (John Gielgud), who complains that...