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ORSON WELLES CINEMA I: Madam Rosa--4, 6, 8:05, 10.

Author: NO WRITER ATTRIBUTED | Title: Film | 6/30/1978 | See Source »

After being rejected by Woody Allen, Orson Welles and Lily Tomlin--among many others--the senior class committee finally settled on Rodney Dangerfield as this year's Class Day speaker. Dangerfield, known to millions for his heart-warming televised tributes to Miller Lite beer, apparently decided he could get more...

Author: NO WRITER ATTRIBUTED | Title: You guys have got to be joking | 6/8/1978 | See Source »

Now that Harvard has asked him to return, Petric will take the first semester of next year off(as he originally planned), to complete three books: Cinematic Analysis, a textbook for analyzing film structure; Theory of sound film, about how sound relates to images; and a monograph on Dziga Vertov...

Author: By David B. Edelstein, | Title: Vladimir Petric Teaches Film | 5/15/1978 | See Source »

On the basis of Welles' penetrating analysis of his own work in his recent movie, Filming Othello (which will not have a commercial release in this country), Petric has recommended to the Norton Lecture Committee that Welles be asked to deliver this prestigious lecture series in 1980. Welles, says Petric...

Author: By David B. Edelstein, | Title: Vladimir Petric Teaches Film | 5/15/1978 | See Source »

He draws a diagram to illustrate his points. On one side is narrative content, and on the other cinematic technique. In the center is the integration: art to convey a message. He places Annie Hall on the narrative content side (he considers the film cinematically inept), and Jaws on the...

Author: By David B. Edelstein, | Title: Vladimir Petric Teaches Film | 5/15/1978 | See Source »

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