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...symphonies, often pointed to as the first flowering of Beethoven’s full Romanticism, are suffused with an emotional variety and exuberance that often gets suffocated under the reverence bestowed upon them as artistic milestones. An institution as well established as the BSO and a conductor as august as Levine could easily compound the problem, but they proved to be far too skillful to fall into such a trap. They chose to take on a role—not that of the priestly stewards of sacred sound, but almost that of a preternaturally talented youth orchestra playing...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: BSO Plays Third and Fourth, Comes Out First | 2/23/2010 | See Source »

...university’s location is another draw for filmmakers. Harvard is a well-situated center for nonfiction film production, as is the Boston area in general. Oliver A. Horowitz ’08, a VES teaching fellow, pointed out this advantage. “Not to say that Boston is the epicenter, but Boston is a huge, huge bastion of nonfiction film,” he said...

Author: By Abigail B. Lind and Rebecca A. Schuetz, CRIMSON STAFF WRITERS | Title: The Scenic Route | 2/23/2010 | See Source »

...more of a human. He visibly and audibly revels in the symphonies, and one of the many joys of being in the concert hall rather than listening to a recording is in catching the gleeful brio Levine exudes. Sitting rather than standing at the podium (due to well-chronicled health problems over the past four years), he swivels fluidly back and forth like a six-year old left alone in a big office chair, dancing his feet across a wooden support bar like some frenetic organist pedaling a Reger fugue. Occasionally, you could hear him calling “Dyet...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: BSO Plays Third and Fourth, Comes Out First | 2/23/2010 | See Source »

...public diplomacy is to communicate America’s policies abroad and to engage international audiences about all things American. The problem is, we’re failing, and that’s to the detriment of our national security as well as commercial, cultural, and education interests...

Author: By M.C. Andrews | Title: ‘Can You Hear Us Now?’ | 2/23/2010 | See Source »

Because there are procedural problems that need work, since 9/11 a bunch of well-meaning and very smart people have looked at this issue and identified a few things that need fixing. One compelling and frequent finding concerns the nature of our messages to our key audiences. The consensus maintains that our messages are at best poorly received by “the Arab street,” and in some cases, insulting. Not only do we have an inadequate number of Arabic-speaking foreign service officers but our communications are also hindered by an absence of meaningful cultural sensitivity...

Author: By M.C. Andrews | Title: ‘Can You Hear Us Now?’ | 2/23/2010 | See Source »

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