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...films and filmmakers mentioned above are only a fraction of those featured in the retrospective Others include: Len Iye, James Sibley Watson, Jr. and Melville Webber, James Whitney and Dwinnel Grant. Attending a lecture along with a screening is a good idea, since understanding the technique, milieu and decade in which these artists worked helps make sense of their non objective subjects...

Author: By Sarah C. Dry, | Title: From Bauhaus to MTV: Forging the History of Abstract Film | 12/7/1995 | See Source »

...media analyst at Josephthal, Lyon & Ross. "The headquarters at Black Rock is decimated. There isn't that much [left] to get rid of. And this is at a time when they're supposedly going to attract new programming to build the network up." Christopher Dixon, an analyst at Paine Webber, is a little more bullish, citing the strong station lineup that will result. "With the combined stations group, not just in television but also in radio, you've got an enormous affiliate base that, if revitalized, can give them the leverage to allow CBS to regain its position...

Author: /time Magazine | Title: TELEVISION: IS CBS SUNK? | 11/27/1995 | See Source »

Before Andrew Lloyd Webber, there was Charles Gounod. By turning Gounod's philosophical drama Faust...

Author: By Adam Kirsch, | Title: Lyric Opera's Faust Lacks Acting, Style | 10/19/1995 | See Source »

...boasts Broadway talent galore, beginning with Michael Crawford, the first Phantom in Andrew Lloyd Webber's Opera; here he plays all the lead male roles. The show has glorious sets by Tony luminary David Mitchell (Barnum, Annie) and 500 phantasmagorical costumes by Theoni Aldredge (A Chorus Line, Dreamgirls). Among the contributors to its original score is, well, Don Grady, whose first eminence was as the hunkiest of Fred MacMurray's three TV sons but who now writes lush, hummable ballads. Finally, EFX has that cosmic expanse of spirit, that lift of a driving dream, that wily, woozy pretentiousness, that have...

Author: /time Magazine | Title: VIVA LAS VEGAS! | 4/24/1995 | See Source »

...miles off Broadway, at the MGM Grand, in a desert stopover called Las Vegas. Well, somebody has to put on musical spectacles, and Vegas has a dozen or so. This year, while Manhattan's mainstream theaters could find only a single original tune show--and that, Lloyd Webber's Sunset Blvd., was an import from London and Los Angeles--Vegas' casino hotels are proving that the old form still has sass, vibrancy and audience appeal. And size. And how! Four big productions will have opened by Memorial Day: EFX, the magic show Spellbound, a permanent edition of The Great Radio...

Author: /time Magazine | Title: VIVA LAS VEGAS! | 4/24/1995 | See Source »

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