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Word: waywardness (lookup in dictionary) (lookup stats)
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...series work (Heist, Lucky, Las Vegas). Smith has acknowledged he took this gig for the money and because he likes the genre. The first impulse is more evident here than the second. His strength has always been less in camerabatics, or even directorial competence, than in the creation of wayward characters with a little heart and filthy-funny mouths. He can't do that with a rote screenplay by other people. Blindfold any film fan during the closing credits, and he'd never know that the director was the auteur of Clerks, Chasing Amy and Dogma. The stylistic signature might...

Author: /time Magazine | Title: Kevin Smith's Cop Out: Too Flabby to Fly | 2/26/2010 | See Source »

...Soldier of Love,” Sade’s first album since 2000. For an impressively constructed album based on and made for “love,” this line seems more of a curious apology from the band than a testament to love from a wayward lover...

Author: By Benjamin Naddaff-Hafrey, CRIMSON STAFF WRITER | Title: Sade | 2/17/2010 | See Source »

...three decades since Gibson first cruised the postapocalyptic outback as Mad Max, he's forged a wayward career as one of Hollywood's top moneymakers. He fronted a couple of burly action-film franchises (three splendid Mad Max movies; four shoddy, popular Lethal Weapons). Ten of his films earned more than $100 million from 1989 to 2002, back when that was real money. His Scots epic Braveheart won him Oscars for Best Picture and Best Director. That was just Gibson's second film as director; his third, The Passion of the Christ, in 2004, was the all-time top-grossing...

Author: /time Magazine | Title: Edge of Darkness: Is Mel Gibson Still a Star | 2/8/2010 | See Source »

...Wayward Pilots Lose Their Wings...

Author: /time Magazine | Title: The World | 11/9/2009 | See Source »

...high, if not higher, but the lows are more prominent as well.In the midst of swirling bells and dense backing harmonies, “Avalon, or Someone Very Similar” finds Georgia in the highest of vocal registers, channeling sometime collaborators the Magnetic Fields circa “Wayward Bus.” Lush pockets of jangle-pop slowly expand and burst, growing fuller with each verse, culminating in a heavenly guitar solo. “Nothing to Hide” is more ragged but still impeccable. Drawing on the raw, garage-rock sensibility of “Fuckbook?...

Author: By Jessica R. Henderson, CRIMSON STAFF WRITER | Title: Yo La Tengo | 9/10/2009 | See Source »

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