Word: warhols
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...most explicit and protracted depiction of fellatio ever filmed for commercial distribution occurs in an as yet unreleased movie called Coming Apart, starring Rip Torn as a troubled psychiatrist. For all its howling commercial success, I Am Curious (Yellow) by comparison is about as erotic as Das Kapitol. Andy Warhol's latest film, a 90-minute sexorama appropriately titled Blue Movie, contains 45 minutes of realistically simulated copulation (heterosexual for a change...
...Warhol's movies used to be "underground," but most of them are now shown in theaters and seriously reviewed. The distinction between "underground" cinema, straight commercial films and "sexploitation" movies is no longer easily made. The screen's crassest byproduct, variations of the old stag film or skin flick, draw more customers in some cities than the hard-ticket Hollywood product. Ranging from 20 minutes of nudie shorts to the sophisticated voyeurism of Directors Russ Meyer (Vixen) and Radley Metzger (The Dirty Girls), sex films are now a multimillion-dollar-a-year industry. Exhibited in well-appointed cinemas that charge...
...know what the sheriff's doing back there?" asks a range hand as he watches the lawman dress in drag. "He thinks he's Mary Poppins." In addition to listening to such finely honed dialogue, interested moviegoers can watch Andy Warhol's merry band of junkies, faggots, transvestites and nymphomaniacs disporting themselves in the master's newest effort, Lonesome Cowboys. The idea was a camped-up Romeo and Juliet out West. Unfortunately, things get sort of confused, as they have a way of doing with Andy, and the result is a series of dreary, druggy improvisational...
...newest crop of painters who prey upon their fellows promises to prove more unsettling than any of its predecessors. For one thing, the school is proliferating rapidly. One Manhattan showroom is currently showing Richard Pettibone's miniature copies of Andy Warhol's soup cans, while another opened last week with Howard Kanovitz's paintings of his easel, his art-world friends and the backs of his canvases. A third gallery is showing Malcolm Morley's version of Vermeer's Portrait of the Artist in His Studio-a much-admired painting that has also served...
...come back. For she practices a kind of art that has made her one of the less popular artists in Manhattan. Sturtevant's thing is line-for-line copies of virtually every top pop painter and sculptor. She has "done" Segal, Wesselmann, Oldenburg, Stella, Johns, Lichtenstein, Rosenquist and Warhol with such loving cunning and accomplished accuracy that she makes them all look slightly ridiculous. If the ideal of pop is to reproduce banality literally, then Sturtevant has carried the ideal to its logical but infuriating conclusion-by reproducing the literal reproduction literally. "Oldenburg is ready to kill...