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Skeptical Hollywood, that had wondered whether a fairy story could have enough suspense to hold an audience through seven reels, and whether, even if the plot held up, an audience would care about the fate of characters who were just drawings, was convinced that Walt Disney had done it again. Snow White is as exciting as a Western, as funny as a haywire comedy. It combines the classic idiom of folklore drama with rollicking comic-strip humor. A combination of Hollywood, the Grimm Brothers, and the sad, searching fantasy of universal childhood, it is an authentic masterpiece, to be shown...

Author: /time Magazine | Title: Cinema: Mouse & Man | 12/27/1937 | See Source »

...Disney zoological stock company. In fact, when some art historian of the future sets out to chronicle the rise of the animated cartoon, the quest for original drawings by the man most responsible for it will be about as difficult as it is now to locate additional authentic Rembrandts. Walt Disney has not drawn his own pictures for nine years. To turn out the mass production issued nowadays under his name, he would have to have 650 hands. And 650 hands he has. With slim, 36-year-old Walt Disney as the guiding intelligence, his smooth-working cinema factory produces...

Author: /time Magazine | Title: Cinema: Mouse & Man | 12/27/1937 | See Source »

...complete a scene, a test camera photographs the sketches on a film strip. Running this back and forth in a small two-way projector known as a moviola, the animator spots "bugs and bobbles," jerkiness or missteps in the animation. Not until a set of drawings is approved by Walt and the director does it go to the inking and "painting department, where over 150 nimble-fingered girls trace the sketches on 12½-by-15-in. celluloid transparencies, called "cels," paint in the designated coloring from a store of 1,500 colors and shadings. All Disney cartoons have been...

Author: /time Magazine | Title: Cinema: Mouse & Man | 12/27/1937 | See Source »

Disney, Inc. "It was always my ambition to own a swell camera," says Walt Disney, "and now, godammit, I got one. I get a kick just watching the boys operate it, and remembering how I used to have to make 'em out of baling wire." The baling wire period in Walt Disney's life lasted from 1901 to 1930. In 1901 Walt was born in Chicago. His father, Elias, was a contractor, who now lives quietly with Walt's mother in Oregon and hears from his famous son about twice a year. The family moved...

Author: /time Magazine | Title: Cinema: Mouse & Man | 12/27/1937 | See Source »

Back in Chicago at 16 he studied cartooning in night courses at the Academy of Fine Arts. Walt drifted to Kansas after the War. He sketched cows and plows for farm journals, then set up for himself as a commercial artist. In 1920 he was working for a film slide company, and his ani mated cartoon career was launched with a series based on Kansas City topicalities. The film cost him 30? a foot, sold to three theatres. The average Mickey Mouse or Silly Symphony costs somewhere between $50 and $75 a foot; Snow White, over $200. Walt...

Author: /time Magazine | Title: Cinema: Mouse & Man | 12/27/1937 | See Source »

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