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...synthesized style. Here, the Backstreet Boys seem to be capitalizing on the soulful style popularized by John Legend. It’s a beautiful style in the right hands, but falls short of the mark when a boy band attempts a capella soul. AJ McLean’s soaring vocals??backed by the Boys’ humming—are positively contrived. The Backstreet Boys’ biggest downfall is their inability or unwillingness to let go of the serious schtick. The album is not fun, unapologetically poppy, or silly by any stretch of the imagination...

Author: By Katherine L. Miller, CRIMSON STAFF WRITER | Title: Backstreet Boys | 11/2/2007 | See Source »

Other performances featured in both shows were Mariachi Veritas—comprised of the traditional mariachi instrumentation of violins, trumpets, guitars, and vocals??Candela Hip Hop, a dance group that presents a variety of Latin-American dance styles, and dancers Anya Dolganov ’05 and Eric Price ’05, who combined a multitude of techniques in the creation of their “Gypsy Dance?...

Author: By Brendan D.B. Hodge, CONTRIBUTING WRITER | Title: Crowds Flock to Presencia Latina | 5/2/2005 | See Source »

...isn’t afraid of straying from the typical pop song format in “Missed Me” and “Coin-Operated Boy.” The former, a song about statutory rape, relies on Palmer’s impressive vocals??which range from warm and frothy to agonizingly tortured—to carry the song from subdued despair to blatant antagonism. Meanwhile, “Coin-Operated Boy” begins as a playful children’s song, only to change mood abruptly with a dramatic bridge that includes the line...

Author: By Crimson Staff, | Title: New Music | 10/10/2003 | See Source »

...Passim, Trapper introduced the song saying, “Nobody believes you could write a fratboy anthem on an acoustic guitar.” It worked well. Still, witnessing Trapper attempting to perform all parts of “Any Little Town”—including backup vocals??was a singular experience...

Author: By Nell A. Hanlon, CRIMSON STAFF WRITER | Title: From Push Star to Superstar | 11/30/2001 | See Source »

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