Word: visualizing
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Brien tortures Winston into submissiveness to the state, his instruments are the old-fashioned table with leather straps and electroshock. All of this matches perfectly the external world through which Winston and Julia stumble: it looks like a vast, bombed- out housing development. Cameron thus carefully upsets our common visual assumptions about things to come. With antiseptic cliches banished, we are forced to confront a basic truth: the will to tyrannize is utterly independent of technology. It is present in every time, place and setting. And it will abide...
...snaps at the title character. The wit in this spoof of the old-fashioned gangster melodrama never rises above that mildly agreeable level and is often below it. But perhaps because the writers outnumber Director Amy Heckerling 4 to 1, Johnny Dangerously offers more verbal felicity than it does visual flair. Heckerling has no feeling, affectionate or malevolent, for the genre she is trying to parody and no sense of comic rhythm either. The result is a thin and clumsy thing, in which talented Michael Keaton leads a cast of good actors in search of the missing beat. Only...
Echoes, echoes. The critic Lionel Trilling described the novel as "a book which is contrived of echoes." The movie, if it were to achieve the kind of spiritual, as opposed to literal, faithfulness to its source that Lean aspired to, had to be a thing of echoes too?but visual, not auditory, echoes. Image reverberates to image endlessly in this film. The early shots of the great arch and the little train lost in the huge landscape propose the film's overarching theme?India as mysterious and maddening cavern?and then Lean starts the echoes rolling through it. When...
...actor's outstanding performances are second only to the elaborate and colorful set and costumes. The creative scene changes and special effects make the stage an artistic delight, and by the time the elaborate wedding scene rolls around at the play's conclusion, the spectacle is a visual masterpiece...
...than anything else a valiant attempt to instill some life into what is essentially a theatrical museum piece. Director JoAnna Akalaitis has remained dutifully faithful to the script--down to Beckett's own mention of the Ritz cracker--even when the dialogue becomes an awkward partner to the massive visual impact of the subterranean set and Hamm and Clov garbed respectively as a Rastafarian and a grown-up street urchin...