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...things don't quite pay off: The red flag planted by the speaking Maenad (presumably to signal bloody devastation) might have never been unfurled; the novitiate (Alison Howe on 10/30) sitting on a pillow, singing the Oro supplex, is a bit much. But the production boasts tremendous visual appeal, thanks to a wonderfully spare set by Helen Shaw '98, spiffy costumes by Jessica Jackson '99 and--especially at the play's beginning and end--skillful and tricky lighting, designed by Alan Symonds...

Author: By Matthew A. Carter, CRIMSON STAFF WRITER | Title: a bloody bacchae | 11/7/1997 | See Source »

Directorial flourishes such as these elevate Eve's Bayou and bolster the story. The film is a collection of indelibly etched images, from the casual falling of a hat to a spider weaving its web. But Lemmons and cinematographer Amy Vincent never allow visual flair to obscure the story. Lemmons uses these tricks sparingly in favor of understated, poetic imagery...

Author: By Jeremy J. Ross, CONTRIBUTING WRITER | Title: Eve's Bayou' Blends Mystery, Voodoo, Sex | 11/7/1997 | See Source »

First-time director Andrew Niccol, who also wrote the script, brings considerable visual style and an intriguing, only-too-timely premise to this story of a Brave New Worldish society in which the preplanned, genetically made-to-order elite get all the honors and opportunities, and the "natural" births are relegated to the grunt work. Ethan Hawke plays Vincent Freeman, a natural who borrows the identity of one of the elite to fulfill his lifelong dream of leading a mission to outer space. The film suffers from unevenness, sketchy characters and muted acting; however, Niccol's striking images make...

Author: By Lynn Y. Lee, | Title: Gattaca | 11/7/1997 | See Source »

Once the motorcade passes out of sight, the crowd immediately loses most of its enthusiasm, as if its only real purpose in gathering was to place a particular image in Jiang's personal visual narrative. And yet I can't help but realize that if the Chinese President was sitting on the wrong side of the car as it turned past the crowd, there's a good chance he missed the whole thing...

Author: By Dan S. Aibel, | Title: A Saturday in the Yard--With Company | 11/5/1997 | See Source »

...with its curved walls and round ceiling trusses, it hasn't a foot of dull space in it. There are a few things in the design that seem arbitrary or merely rhetorical. The towering "parasol" that Gehry put over the river entrance is pointless except as a visual element--its roof is too high to give any protection from the weather. And the twin stone-veneer towers that rise downstream of the La Salve bridge are just a costly logo...

Author: /time Magazine | Title: ARCHITECTURE: Getty Center and Guggenheim Museum in Bilbao: | 11/3/1997 | See Source »

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