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Word: visualizing (lookup in dictionary) (lookup stats)
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...eulogy of Batman's Bob Kane by Stan Lee, whom you describe as "creator of Spider-Man" [NOTEBOOK, Nov. 16]: Spider-Man's existence needed a visual, concrete entity. It was a collaboration of writer-editor Stan Lee and artist Steve Ditko as co-creators. STEVE DITKO New York City...

Author: /time Magazine | Title: Letters: Dec. 7, 1998 | 12/7/1998 | See Source »

...about Whale. Whale talking to Boone about his buddies talking to Boone about Whale. Enough. This is not to say that what Gods and Monsters needs is less talking and more explosions. It just seems that the My Dinner with Andr‚ school of filmmaking, in neglecting the visual and visceral possibilities of the screen, inevitably seems more fit for the stage...

Author: By John T. Meier, CONTRIBUTING WRITER | Title: HIGH ART IN `MONSTERS' | 12/4/1998 | See Source »

...laboratory of modernity--it represents a self-conscious break with the culture that nurtured Otto von Bismarck and his moustached ilk. In 1926, in fact, the Reichstag voted for a censorship program that would suppress Schmutz and the alien, commercial cosmopolitanism that are so prevalent in Weimar visual culture...

Author: By Benjamin E. Lytal, CRIMSON STAFF WRITER | Title: WEIMAR at the BUSCH-REISINGER | 12/4/1998 | See Source »

Instead of representation, instead of abstract beauty, Weimar visual cultural does...what? It is political, but it is more than simple propaganda--Heartfield and Georg Grosz each have their Hitler caricatures, but the meat of Weimar thought is elsewhere. Technology is everywhere: in the medium of photography, in Bauhaus design, in the mannequins of Josef Albers and Oskar Schlemmer, in the pipes and puppets in the portraiture section. The noisy whirligig of modern technology is both embraced in dada photo-montages of basketball-headed humanoids and controlled through the neat, organized designs of Herbert Bayer's movie house and exhibition...

Author: By Benjamin E. Lytal, CRIMSON STAFF WRITER | Title: WEIMAR at the BUSCH-REISINGER | 12/4/1998 | See Source »

...Busch-Reisinger exhibition does an adequate job of presenting the complexity of Weimar visual culture. There are no flagship pieces; not one oil painting graces the show (where is Christian Schad?). Copious books have been placed in the hallway outside the exhibit to bolster the scanty offerings. There is a characteristic Georg Grosz sketch of men and women walking about, greedy and mean, but it feels like little more than a twig compared to the corpus of Grosz's works. The same is true of the representation given of Beckmann, Feiniger, Albers, Schlemmer and other Weimar stars. The only artist...

Author: By Benjamin E. Lytal, CRIMSON STAFF WRITER | Title: WEIMAR at the BUSCH-REISINGER | 12/4/1998 | See Source »

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