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...Dogs, directed by first-time helmer Bong Joon Ho, takes on a lesser taboo in a manner reminiscent of another of this year's inspired works, Jean-Pierre Jeunet's Amelie from Montmartre. Both Bong and Jeunet have an eye for eccentric detail, produce a bagful of tricks and visual kink and find the most unlikely "feel good factor." Dogs' bark is more hysterical and a notch or two rougher than Amelie. Part Hitchcock's Rear Window, part Monty Python's Parrot Sketch, Bong's Dogs may be this year's most inventive Asian film...

Author: /time Magazine | Title: Endangered Species | 12/19/2001 | See Source »

...think Las Vegas is a quicksand of tasteless glitz and shameless spectacle. So does Dave Hickey, who figures that makes it the perfect place for art. Visual thrills are a local industry, mile-high neon and fake pyramids just part of the scenery. "Vegas aspires to visibility," he says. "Art is an extension and refinement of what Vegas is about...

Author: /time Magazine | Title: Thinkers: SEEKING ART'S PLEASURES: Where You Find Them | 12/17/2001 | See Source »

...Ph.D.'s, spends weeks crafting the 4th Psyop's messages. "It's vastly more difficult to influence a hostile foreign audience than it is to introduce a soft drink into the market," says Robert Jenks, who heads the group's research arm. Leaflets have to be kept simple and visual because of Afghanistan's high illiteracy rate...

Author: /time Magazine | Title: Using Psywar Against the Taliban | 12/10/2001 | See Source »

Meanwhile, conceptual art maven Yoko Ono performed “Blueprint for a Sunrise” (2000), a call for peace and healing, at the List Visual Arts Center at MIT in late October. The List’s annual Max Wasserman Forum on Contemporary Art, which occurred last weekend, featured a panel of artists and critics who decried the war in Afghanistan and waxed nostalgic for the hippie mentality of the 1960s...

Author: By Thalia S. Field, CRIMSON STAFF WRITER | Title: Conceptual Art and Rock and Roll | 12/7/2001 | See Source »

...loved the frenetic pace, noise and pollution of large cities, was echoed more than 30 years later by the French creators of musique concrete. Pierre Schaeffer assembled “songs” from ready-made noises of jackhammers, traffic, spinning pan covers and locomotives. Edgar Varse combined visual art with musique concrete for his “Pome electronique,” which was commissioned for the Brussels World Fair in 1958 and combined electronic voice manipulation and pulse generation with film projectors, ultra-violet lights and hundreds of fluorescent lamps in various colors. John Cage?...

Author: By Thalia S. Field, CRIMSON STAFF WRITER | Title: Conceptual Art and Rock and Roll | 12/7/2001 | See Source »

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