Word: visualizing
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...songs, the Lips elevated the audience with an array of gorgeous sounds and infectious power. As the title track from their new album Yoshimi Battles the Pink Robots kicked in, the entire crowd fell for frontman Wayne Coyne’s yearning cry, which was backed up by a visual extravaganza...
Visiting Lecturer in Visual and Environmental Studies (VES) Mark Nash, a U.K. resident, waited six weeks to receive a visa to come teach at Harvard—a process which used to take just a few days, he says...
...told: despite the $900 million his movie made at the global box office, despite its ranking as the highest-grossing film of 2001, director Chris Columbus was not entirely happy with Harry Potter and the Philosopher's Stone. "I always thought we could have gotten the visual effects better," he says. "But we only had a few months to work on them." The pacing of the film, he now admits, was also a bit sluggish at times. "The first 40 minutes of the first Harry Potter film were introductions." Now that his Harry has made a good first impression, Columbus...
...flaw that colors everything in the film, however, is Taymor’s hesitant and wobbly direction. While the ballsy Titus knew well that it was visually arresting and never forgot, Frida oscillates nervously between an intense visual palette and boring displays of ho-hum period cinematography and horrendously contrived narrative set-ups that bore more than they evoke. Early in the film, the trolley crash that renders Kahlo periodically unable to walk is shot and edited with a shocking visceral quality and a brash artistic confidence. Immediately after, Taymor gives us a shamelessly trippy, grotesque animated sequence that quite...
...exhibition of student work last spring and founded the Initiative to give students more opportunities to show their art. They hope to curate four or five student shows this year, creating a rotating gallery of a consistently high caliber that will “invigorate an interest in the visual arts.” Kussell and Wecsler are working closely with Adams House art tutor Jennifer Mergel ’98 to secure funding for the project, primarily through the Office for the Arts...