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Since 1968, the Visual and Environmental Studies (VES) department has provided students with the opportunity to study the academic and practical aspects of the visual arts. Professor of the Practice of Studio Arts in Visual and Environmental Studies Ellen Phelan, though recently deposed as chair, left the VES department with the legacy of a strong creative program; we hope that the new chair, Kenan Professor of English Marjorie Garber, will be able to continue Phelan’s vision...

Author: By The CRIMSON Staff, | Title: Changing Function, not Face | 5/16/2001 | See Source »

...concerned by the choice of her replacement. While Garber is a respected literature scholar and a talented administrator, she has no specific experience or expertise in VES. She may be able to make VES function more smoothly, but she does not and cannot have the same commitment to the visual arts as an artist, and we worry that she will be unable to provide the artistic leadership and vision necessary for the VES department. We encourage Garber to seek out advice on ways to continue Phelan’s vision of a department that emphasizes creative work. A desire...

Author: By The CRIMSON Staff, | Title: Changing Function, not Face | 5/16/2001 | See Source »

Luhrmann will never be guilty of visual understatement (his name could be Luridman), but he and his wife, production designer and costumer Catherine Martin, have found an intelligent nexus of sense and sensibility. They have created a fantasy Paris where everything is not only possible but gorgeous as well. The camera hovers over a cityscape that looks like a perfect cardboard diorama. Dancers' skirts swirl in Impressionist pixilation. "Don't wanna listen?" the film seems to ask the musically challenged viewer. "Then just watch...

Author: /time Magazine | Title: Cinema: Face The Music | 5/14/2001 | See Source »

...pleasure they bring. And at 50, Tsui hasn't slowed up. Just the first two minutes of his new Time and Tide--the first Hong Kong film he has directed in five years--are breathlessly virtuosic, using slo-mo and rapid cuts and neck-swiveling pans to impart enough visual information for half a dozen Hollywood features...

Author: /time Magazine | Title: He Makes Movies Move | 5/14/2001 | See Source »

...arguments for and against a comicbook adaptation of this famously interior novel feel like two sides of the same coin. Heuet has translated all the rote action and, more important, all the visual aspects of the book into pictures. In some cases this comes in handy, as when Giotto's "Virtues and Vices" are invoked, or a bunch of asparagi are referred to with extreme detail. This version of "Remembrance," has been distilled down to its essence, concentrating its themes and aesthetic ambitions. And yet, one of those themes, the ability of art, and particularly literature, to evoke all things...

Author: /time Magazine | Title: Abomination or Magnum Opus? | 5/11/2001 | See Source »

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