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Word: visualize (lookup in dictionary) (lookup stats)
Dates: during 1980-1980
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Usage:

...Antilles records. The Contortions, DNA, Mars, and Teenage Jesus and the Jerks shared a common aesthetic. They shrieked while the punks merely chastised. They ripped their emotional guts up for the chance to play for the punky-elitist crowds. They derived their manifestos primarily from the world of visual art: take a dib of dada and a dab of '60s self-destruction and you have no wave...

Author: By Scott J. Michaelsen, | Title: Dada for Lunch | 3/17/1980 | See Source »

Louis J. Bakanowsky, professor of Visual and Environmental Studies, pointed out at the meeting that Harvard already offers credit for some forms of "practical art" in his field...

Author: By Burton F. Jablin, | Title: Enter, Stage Left | 3/15/1980 | See Source »

What this show presents, therefore, is something more than a Thoroughbred stable: it is a cross-section view of the growth of one of the fundamental visual images of Western culture. One can only admire the elegance, tact and precision with which the Met and the Italian scholars involved in this delectable project have mounted it. -Robert Hughes

Author: /time Magazine | Title: Art: Thoroughbreds from Venice | 3/10/1980 | See Source »

...generally accepted but unwritten rule in scholarly circles that "scientific" films and other visual materials covering such topics as experiments conducted on human subjects in Nazi Germany, are not worthy of scientific attention and go too far beyond the realm of human decency to be presented in serious academic settings. Also, classroom presentation of explicit photographic materials on violence aginst women (and children) and other such pathological activities is considered an act of gross impropriety and is verboten in academic and other institutions of reasonable moral standards...

Author: NO WRITER ATTRIBUTED | Title: Standards of Decency | 3/3/1980 | See Source »

...fault is so egregious, however, as the excessive length of this production. Sellar's Lear runs more than four hours. It tests our endurance with strange visual effects that add little to an understanding of the play. The notorious storm of Act III wails for an hour amidst pendulous light bulbs, harsh spotlights, rolling rocks, flickering candles, blinking headlights of a sleek Lincoln Continental, and the disturbing whine of steel cellos. Yet Sellars wants more. On comes a snake of worklights, four television sets and two Polaroid cameras with flash bulbs. Sellars uses every corner of the stage, from...

Author: By David Frankel, | Title: A Tragedy of Excess | 2/29/1980 | See Source »

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