Word: visualize
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Dates: during 1960-1969
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...photos are mere snapshots, others are from UPI. Most of both these groups are understandably shallow. As a series of photographs--as they are presented in the infamous exhibition catalogue--they do not provide the kind of answers a confused public is seeking. However, with the addition of audio-visual techniques, the photos are charged with the appropriate atmosphere and emotion...
...players curve around three sides of the audience; in Carre, four groups of 20 players each, plus eight to twelve singers, face outward from a central circle. Both compositions fill the air with hard-edged blocks of dissonance that collide, clash and splinter with a force that is almost visual. The ultimate result is not unlike life in a crowded tenement building, with many windows open and a blaring radio in each apartment...
BULLITT. Steve McQueen is a tough, ice-cold San Francisco cop, pursuing bad guys all over the place. The story is comfortably familiar, but Director Peter Yates freshens it up with some modish visual effects and a chase scene that seems to physically involve the viewer...
...time of life when sex is little more than a dim memory for most men, he was lustily scratching out on copper one erotic scene after another, never hesitating to boldly gouge a representation of himself into the action. Not once did he summon a model-his incredible visual memory or imagination seemed capable of producing any variant of pose or coupled posture...
...vitality and change are evident in the centers of Boston and Cambridge, and people from all over the country and the world continue to come here and seek to live, not on the periphery, but in the center. Though blight occasionally and congestion frequently detract from its enjoyment, the visual environment is still among the most pleasing to be found anywhere. We can still say that people come to Harvard not in spite of its environment but partly because...