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Done with the usual Disney care for detail and sense of comic pace, and with more than the usual share of good visual surprises, the cartoon reaches a most un-Disney-like climax in a fine burst of political irreverence...

Author: /time Magazine | Title: Cinema: Disney Strikes Back | 12/7/1953 | See Source »

...infinitely forgettable music by a dozen composers, and a general sophistication which often seems precious. Particularly expressive of these three elements are a "Ballet Ballad" from a story by Oscar Wilde and the opening number, pretentiously invoking the Spirit of Theatre and dull musically, yet striking in its visual contrast of black and white...

Author: By R. E. Oldenburg, | Title: Almanac | 11/12/1953 | See Source »

Allport cited people's high reliance upon radio for news and information as the chief reason for its potential danger. When asked about the influence to television, he stated, "Television is twice as dangerous as radio because it utilizes both the audio and visual senses...

Author: NO WRITER ATTRIBUTED | Title: AllportSays TV, Radio Potentially Dangerous | 10/15/1953 | See Source »

...museum also gave Manhattan a look at what it considers good design in cars. Explained the show's curator, Arthur Drexler: "Automobiles... are no less worthy of being appraised for their visual appeal than were Venetian gondolas [and] English landaus." In the museum garden, blending nicely with its modern sculpture, were ten recent models: a Lancia and Siata from Italy, an MG and Aston-Martin from Britain, a snappy little Porsche from Germany, a Cométe and a Simca from France. The three U.S. models: a 1953 Studebaker, a Nash-Healey (standard Nash engine, with British chassis...

Author: /time Magazine | Title: Art: Good Design | 10/12/1953 | See Source »

...character, but at the same time impressive in picturing the danger and frustration of the corvette's task. With several delicate director's touches The Cruel Sea communicates the breathless silence of perilous halts in mid-ocean for rescues or repairs, and there are two scenes remarkable for stark visual impact-the sinking of H.M.S. Compass Rose, and the running down of floating survivors in a vain attempt to destroy a U-boat. Impressive also is the film's attention to detail; the viewer becomes completely familiar with the Compass Rose, the radar screen on the bridge, the pistons...

Author: NO WRITER ATTRIBUTED | Title: The Cruel Sea | 9/30/1953 | See Source »

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