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Word: visualizations (lookup in dictionary) (lookup stats)
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...Visually, no part of the production was entirely satisfactory. In his first opera sets Designer Oliver (My Fair Lady) Smith seemed to be desperately attempting to fill the vast, open spaces of the Met's stage with Todd-AO-sized vistas of a kind rarely viewed by a courtesan in Verdi's mid-19th century Paris. Under Tyrone Guthrie's posturing direction, Violetta entertained her first-act guests in a towering, vine-entwined conservatory, while in the third act the chorus moved confusingly up and down a curving marble staircase. Costume Designer Rolf Gerard provided the principal...

Author: /time Magazine | Title: Music: Todd-AO Traviata | 3/4/1957 | See Source »

Dunster House said yesterday that it has begun workshops in theater and the visual arts with the $1400 interest from the Ford Foundation grant...

Author: NO WRITER ATTRIBUTED | Title: Workshops Set Up In Dunster House With Ford Money | 3/2/1957 | See Source »

Constantino Nivola, Director of the Design Workshop, advises those interested in the visual arts. The group limit of 15 allows individual instruction to the members. At the present time, the emphasis is on watercolors...

Author: NO WRITER ATTRIBUTED | Title: Workshops Set Up In Dunster House With Ford Money | 3/2/1957 | See Source »

...mood, mixing farce and tragedy, is endlessly complex. Yet De Sica continually achieves the casual visual epigram. His camera, like a wise old pickpocket, filches its riches unobtrusively. And the actors seem to fulfill the creator's intentions as naturally as if they were his hands and feet-even De Sica does exactly what De Sica wants. Toto, Italy's Chaplin, is exquisitely funny. Loren's parts fit beautifully into the whole. Mangano for once is convincing, and Paolo Stoppa, as a man who wants all the pleasures of suicide without its aftereffects, is superb. Perhaps best...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 25, 1957 | 2/25/1957 | See Source »

...staging department, the present Ring is freighted with virtually the same visual improbabilities that burdened it in the past. Ponderous gods and goddesses lumbered clumsily toward one another across the gigantic stage. Papier-mâché dragons belched steam, dwarfs disappeared in clouds of vapor, magic fires raced across the sky at the wave of a wand. For reasons of economy, the Met made no effort to replace the worn sets originally designed and constructed for the Ring nearly a decade ago. A complete restaging, estimates Manager Bing, would cost a prohibitive $300,000. Though he refuses...

Author: /time Magazine | Title: Music: Bing's Ring | 2/18/1957 | See Source »

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