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Word: visioning (lookup in dictionary) (lookup stats)
Dates: during 2000-2000
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Usage:

...would you describe your personal vision as a filmmaker...

Author: By Dan Cantagallo, CONTRIBUTING WRITER | Title: DREAMLOVER: An Interview with Darren Arnofsky | 10/27/2000 | See Source »

...want to make films that communicate to a lot of people. I grew up on Hollywood movies, and I love them. So I think there is a way to work on that scale and be true to yourself through your artistic vision. The biggest crime I think in movie making is when you bore an audience, and I really don't want to do that. I want to keep the thrills coming as much as possible. I really enjoy entertaining people, it's great thrill when you scare an audience, or you make them laugh or cry. The worst insult...

Author: By Dan Cantagallo, CONTRIBUTING WRITER | Title: DREAMLOVER: An Interview with Darren Arnofsky | 10/27/2000 | See Source »

...pulse introduce a hint of farce. In the end, all these divergent threads are pulled together by a rigidly orchestrated stage movement. The play gave the impression of a choreographed piece, with the actors preserving an impressive consistency of movement and gestures, In this context, Fred Hood's vision of the king as the least puppet-like of his entourage came out with splendid irony. This strategy seemed a fortunate one especially in the light of the comedic ability of the lead actor, Cary McLelland. McLelland's performance enriches King George's part in this historical drama with much-needed...

Author: By Irina Serbanescu, CONTRIBUTING WRITER | Title: 'George III': Mad to the Bone | 10/27/2000 | See Source »

...king is shown alternatively in a nightgown or a straightjacket, with hair awry. The image of the mad king is an obvious echo of King Lear; the analogy between the two scenarios being played up in this production. In dcor, effects and characterization, Hood manages to convey his vision of Bennett's play as a story as epic and dramatically versatile as King Lear, but twice...

Author: By Irina Serbanescu, CONTRIBUTING WRITER | Title: 'George III': Mad to the Bone | 10/27/2000 | See Source »

...Humming, Matthew was both engineering and producing: simply put, an engineer captures sounds onto a recorded medium, whereas a producer is responsible for getting the best performance out of the band. The latter job includes instrument choice, style and tempo suggestion, specific note review, song selection and an overarching vision for the project. This relinquishing of control was both inviting and disturbing for us. I remember feeling distinctly, after going through pre-production rehearsal with Matthew, that I had no idea how The Humming's debut would sound. I knew the music inside out, but could not guess what...

Author: By Ty Gibbons, CONTRIBUTING WRITER | Title: Of Hard Work, Crotch Mikes and 'Deuce Bigalow' | 10/27/2000 | See Source »

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