Word: viewing
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Dates: during 1970-1970
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...dominated by mutual consciousness of FrancoAmerican differences over the Middle East. France holds that Israel should withdraw from territories captured in the 1967 war as a precondition to any settlement and still believes that the Big Four can lead the way to a solution. The U.S. now tends to view both these arguments as unrealistic. The discussions were lengthy and polite and followed expected patterns. Not so predictable was the attention attracted by Mme. Pompidou's variable hemlines (see MODERN LIVING). As Pompidou left for Cape Kennedy, San Francisco, Chicago and New York City, top diplomats of both nations...
...argues that, for whatever reason, whites consistently leave schools as they become highly integrated, and the result is resegregation. Integration, he contends, "creates as many problems as it purports to solve, and no one can be sure that, even if accomplished, it would yield an educational return." In his view, it may prove more effective to improve black schools than to move students...
...such men as Andreski, Frank and Bouthoul present the case for war? Not because they believe in war-certainly none of them do-but because they entertain the view that war is an inevitable adjunct, and in many ways the architect, of the civilization that man has built. When asked if he really believes that war is beneficial, Andreski replies: "That depends on whether you think technological civilization is beneficial. Personally, I like it, but I'm not convinced it is a viable creation. It may destroy itself." Destruction was the first and still remains the cardinal function...
From the worn-out loafers to the signatures of his friends, the show offers an unusually personal view of an artist. Dine never really belonged to Pop art, though he has often been identified with it. He rode the same swift wave to success as Oldenburg, Warhol, Lichtenstein and Wesselmann, shared their conviction that the vocabulary of abstract expressionism was all but exhausted, and gave the object a primary place in his painting. But where Pop's lifeblood was popular imagery, Dine used objects that had figured in his own experience. Where Pop was social, analytical, sometimes bitterly satirical...
...Teller] made it a much more straightforward thing. I at least had hoped that the President and Secretary Acheson might have used the threat of developing an atomic bomb to force weapons control negotiations with the Russians, but looking back, that may have been a utopian point of view...