Word: viewing
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Dates: during 1970-1970
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...glow in the sky behind the buildings lent the situation an unreal air. Marchers could not see the faces of those marching next to them. As the crowd progressed down Mass. Ave, toward Central Sq., files of cops, wearing riot helmets and carrying tear-gas guns, came into view at the side of the street. Advance scouts rushed ahead to survey police formations, then returned with exact reports on their number and armament: "There are 96 cops up there, with dogs." The cops stood silently at the sides, not in front of Buckingham Palace. Uncertain of the marchers' intentions...
...Some Important Matters." In it. Cecil Brown addresses the character of the book's title and raps about some of the themes presented in the tale itself. He has a few words for those who would try to interpret these themes too sharply from their own point of view, denying them the freedom that the book demands...
Kunstler's principal contention was that "the court system was designed with one end in view: to keep a system moving smoothly and officiently, and to grind out the enemies of the state." He pointed out that American courts do not take up fundamental social issues such as the war in Vietnam, and that, to determine the validity of competing contentions surrounding these issues, one would have to "put the legalities aside...
...When a movement has grown that wants to take power and has an emergent society in view," Froines explained, "repression must take place." It is this basic reflex of a threatened social order that makes an aging judge's personality and the particular legalisms of a judicial, structure almost extraneous to the central question...
...from a sound track whose reproduction quality is very fine (and happily played very loud) is precisely the intense visual experience one gets from concerts. Two facts: the best seats at concerts are not the ones besieged by the best sound-they're the ones which afford the freest view, permitting the eye to wander at random; and great groups have great visual styles. This is all obvious, but it dictates how one makes rock and roll movies. In particular it points to a desperate need for establishing the whole group in long shot. Beyond that, the cutting must always...