Word: viewing
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Dates: during 1970-1970
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...collectively responsible for everything in its pages. Our writers and correspondents are highly trained and expert. But they are backed by a system of research, editing and checking that gives their work the authority and endorsement of TIME as a whole. This basic function of TIME and this view of collective responsibility will not change, of course. That is one rea son why the majority of our stories will still be unsigned...
...four times last year's outlay. More controversially, Congress and state legislatures are considering measures that would allow police to expand wiretapping and enter suspicious dwellings without knocking. In most areas, public opinion has seldom been so pro-cop. A recent Gallup poll revealed that a majority of Americans view crime control as their No. 1 priority, and even longtime dissenters are beginning to have second thoughts. Though many radicals still think of police as "pigs"?with some justification in a number of cities ?liberals who used to minimize crime are now recognizing that police have a serious...
...none of the facts even hint at the revolution to which Matisse's pictures stand witness. This law student from Le Cateau in the north of France saw the picture plane flat and saw it whole. He began treating it as a design rather than an imaginary view. A pattern in the wallpaper might come forward to take equal authority with a fruitbowl on a table. He saw women as outlines-a grace, a structure of volume, a presence in a landscape-and abandoned nuances of flesh tones in favor of vigor of composition. Perhaps as much as Picasso...
...changes that Matisse was to make are shyly explored in those first pictures. He celebrated well-laden tables, played with the refractions of light in liquid and glass, and caressed fruits and rich surfaces. He was hypnotized by the mysterious contrast between the cool interior and the hot partial view through the open window. But it was the human form that held for him the ultimate sensuous appeal. It was the engine of his creative exploration, the subject he held fast in order, paradoxically, to range farthest...
Roger Robinson's Vladimir is efficiently played, and he seems to capture the right balance of character and lack of identity. Robinson is black, and the idea of a black Vladimir is stunning and certainly feasible. However, it is mind-boggling that Estragon's speech describing Vladimir's world view as "black" clicits from Robinson a clenched, upraised fist. Moreover, such a gesture is tasteless in context...