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...emphasizing a strong focus on engagement with art and development of students’ understanding of what it means to create art. The classes featured in this event are only a few of the classes supported by the Initiative, and are intended to offer the viewer a cross-sectional view of the project...

Author: By Catherine A Morris, CRIMSON STAFF WRITER | Title: Exposing the Risk-taking in Art-making | 4/27/2010 | See Source »

...book is narrated from the point of view of Hazie Coogan, the handler of aging actress and box office gold, Katherine Kenton. Though this pair is fictional, the world they occupy is full of real characters, although at the mercy of Palahniuk’s historical and anachronistic distortions. In the style of Patrick Bateman of “American Psycho,” Coogan’s narration is a constant barrage of brand names, celebrities, and historical references. The narrator self-consciously refers to this multiple times as “name-dropping Tourette’s syndrome...

Author: By Andrew F. Nunnelly, CRIMSON STAFF WRITER | Title: Palahniuk Goes for Shock, Ends Up with Shlock | 4/27/2010 | See Source »

This inclusive view of dance characterizes Quinn’s attitude about the art to which he devotes much of his time as a choreographer and performer. Unlike most dancers, Quinn did not practice the form until he arrived at Harvard. An actor during high school, he went to the final hours of Common Casting his freshman year. There, he happened upon “American Grace,” the Harvard Ballet Company’s 2006 dance showcase that was auditioning through Casting. It was during this production that Quinn discovered the beauty of the art that would...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Patrick Quinn ’10 | 4/27/2010 | See Source »

...Lives of Lucie Cabrol” on the Loeb Mainstage, she has appeared on the Mainstage twice more as Electra in “The Flies” and Woman 1 in “Metamorphoses.” In addition, she played Beatrice in “A View from the Bridge,” Viola in “Twelfth Night,” and Gloria in “You Can Never Tell.” For this impressive body of work, Holding received the 2010 Jonathan Levy Award in Drama, which recognizes the most promising undergraduate...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: Carolyn Holding ’10 | 4/27/2010 | See Source »

...selection panel favored Lord for the interdisciplinary nature of her career—which, in their view, is emblematic of the modern artist. “I love the way she approaches art,” says Helen Molesworth, the chief curator of the Institute of Contemporary Art and a member of the selection panel for the Arts Medal this spring. “She does so from the position of someone who makes art herself, from the position of someone deeply immersed in the history of ideas or the history of theory, and she is also an extraordinary writer...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Spring 2010 Harvard Arts Medalist | 4/27/2010 | See Source »

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