Word: victor
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Dates: during 1990-1999
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Bela Fleck and the Flecktones delivered a private performance last weekend at Tufts University. Besides Bela, the band includes Victor Wooten on bass guitar, "Future Man" (Wooten's brother) on synthesized percussion and Jeff Coffin on sax. Victor Wooten has been voted Bass Player Magazine's "Bassist of the Year" for three years in a row. And it is little wonder why. His mastery of the instrument leaves you room for no other reaction than a open jawdrop as you let out a few nervous laughs, expecting the Apocalypse. This might seem like a strange statement, but this reviewer does...
...band then returned, with Coffin doing an impressive job of playing two saxes simultaneously in "The Two Horny Blues." And finally an encore was played with Bela on zither banjo, Coffin on flute, "Future Man" tapping a Spanish percussion box and Victor Wooten on cello. The final piece encapsulated the best thing that this concert offered--a chance to see some really down-to-earth guys play some incredible music while making the audience laugh all along...
Decoded cDNA began tumbling out of his machine. A portion of these decoded regions were used as tags--he called them expressed sequence tags (ESTs)--to help scientists distinguish one gene from another and identify related genes even in other species. "His invention of ESTs was inspired," says Victor McKusick, a geneticist at Johns Hopkins University who is often called the father of genetic medicine. In June 1991, when Venter published his first paper based on this work, scientists had identified only about 4,000 genes, each one representing years of painstaking labor. In one day, Venter added...
...Tennille (of "Love Will Keep Us Together" and "Muskrat Love" fame), is passable as Victoria but lacks the je ne sais quoi that would justify the adulation her character supposedly receives. It seems hard to believe Gay Pah-ree could not produce any drag queens more fabulous than her "Victor." The idea of play-acting as a liberating experience has been done in plays from As You Like It and before, but Tennille hardly seems as emancipated as she claims to feel. She never experiences any trouble being Victor, but that is chiefly because she hardly acts any differently beyond...
...allow for a funny screwball hide-and-seek scene. But one good song does not a great musical make, nor can one humorous scene sustain an entire comedy. It all seems so meager in relation to the possibilities, which is what makes it so disappointing. The very fact that 'Victor' is supposed to be a major star should in itself call for more glamorous production numbers than...