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...Folklore. Vasarely's debt to'Mondrian, Malevich and Seurat is apparent and acknowledged. But what Vasarely did was to build on the somewhat dry ideas of the Bauhaus and suffuse them with new life-the life of shifting perspectives, vibrant color harmonies and weighted geometric shapes. The deep, rich tonalities of such paintings as Chom and Axo-77, for which he often credits Hungarian folklore, are designed to give the viewer a sense of balance and wellbeing. In other works, like Ond-JG, the illusion of bulging forms acts as a magnetic force pulling the viewer into...

Author: /time Magazine | Title: Art: Craftsman for Today, Dreamer for Tomorrow | 6/22/1970 | See Source »

...interior to augment the play's supernatural dimension-even to the otiose point of having important speeches delivered from the pulpit. The electronic sound effects that thump and mutter portentously reflect not so much Newness as good, old gothic hokum. But these mechanical excesses hardly detract from a vibrant updating of the quintessential symbol of love 'em and leave 'em. The presentation deserves not to be left in New Haven...

Author: /time Magazine | Title: Theater: The Alienated Seducer | 6/15/1970 | See Source »

Captured Moments. The most ornate stylist in this group is Italian-born Bruno Lucchesi, whose vibrant Tuscan peasants and East Village hippies are currently on view at Manhattan's Forum Gallery. Like Verkade, Lucchesi has a stop-action photographic eye and delights in off-center, cantilevered poses that seem to defy the laws of gravity. He too specializes in capturing moments of everyday human drama. One work in his current exhibition shows an old woman lying on her deathbed with a grief-stricken young girl stretched out across her legs. "It's a tribute to my mother...

Author: /time Magazine | Title: Art: Bronze Realists | 6/1/1970 | See Source »

...fleeting and sometimes unstable form of communication, as community, high school, black, G.I., hippie, and radical papers are born and die with amazing frequency. New printing methods- notably the "coldtype" use of the offset press- have encouraged the proliferation of what seems to Mrs. Romm to be an unattractively vibrant genre of protest journalism...

Author: By Bruce E. Johnson, | Title: Books The Open Conspiracy | 5/8/1970 | See Source »

...SAME craftsmanship extended to the female leads in the production. The role of Katasha, the aging, vindictive, bitchy noblewoman, requires a strong coloratura-type voice and a commanding stage presence, and Andrea Goodzeit provided both of these. Her voice had a pure yet vibrant timbre which eclipsed all of the other singers. She is a fine stage actress as well as a singer, and her demeanor was well suited to the role. similarly, Deborah Ward, as Yum-Yum, the child bride, had complete control of the character, although her voice was at times weak...

Author: By Michael Ryan, | Title: Operettas The Mikado at Agassiz Theatre April 17-19; 23-25 | 4/18/1970 | See Source »

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