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Such battles reflect the subsurface tensions that make Spaces addictive. For all the talk about the democratization of design--via Martha Stewart, Michael Graves, the Apple iMac--in tract-house America, fluorescent light panels and hastily bought throw pillows are still doing just fine. When the show's hip, urban designers invade the homes of their more conservative charges, it's Karim Rashid meets Laura Ashley, State and Main with slipcovers. A traditional how-to show says your home is an expression of your personality. Trading Spaces says your home is an expression of your personality--and not everybody likes...
...that anyone should junk their Palm just yet. You can't enter text directly onto an iPod, for one thing; you have to do it via the computer. That said, the iPod's design beats Palm's hands down when it comes to reading text; with the trackwheel you can scroll through any document with one hand. And the iPod's gargantuan disc space, which dwarfs the eight megabytes of most handhelds, can hold just about anything--as CompUSA found out when an iPod owner walked in, hooked his device up to one of the store's Macs and downloaded...
...part of his desire to actively engage and hold his audience’s attention, Cozzens uses the courtyard’s two balconies and even stages action inside the glass stairwells with the sound relayed via speakers to the audience outside...
Krinsky’s father, however, has not enjoyed the same luxury of choosing whether or not to read the column for himself. In fact, several of his daughter’s pieces have reached him via e-mail as they traversed the list-serves of his New York investment bank. Though not yet privy to her entire body of work, Pa Krinsky has been able to decipher a light at the end of the tunnel with regard to his daughter’s writing prowess. “He thinks I’m a good writer...
Although any dramatic production cannot convey onstage every event related to its characters or plotting, buck misguidedly approaches this limitation by only showing the most highly charged scenes, recounting the rest via narration. This approach runs into difficulty when many of the same types of scenes are presented, such as multiple iterations of Lincoln in the bedroom with the white woman and the white “master...