Word: versions
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Dates: during 2000-2009
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...adults (or if they can sneak into the indifferently policed auditoriums showing the film). Universal, the studio that paid $40 million for the U.S. rights to Brüno and will spend a like amount in prints and advertising, has already said it won't release an NC-17 version of the film...
...first submission, the film did not receive an R," said a Universal spokesman, sounding like an auto executive putting the best spin on a dressing-down by the Obama Administration, "but it is far too early to say that there is any struggle to get there." Translation: the version of Brüno shown to the MPAA was like an out-of-town tryout for a Broadway show or a novel's first draft - except that the script doctors, or editors, are outside agents with the power to tell Baron Cohen what he can leave in and what...
...moment, Baron Cohen is doubtless playing the uncompromising artist, insisting that every frame of his film be shown as is; and Universal, I'd guess, is exerting its muscle both on the MPAA to approve a version with some shock value and on their star-auteur to throw the board a few boners and get the damn R. Baron Cohen shoots a lot of footage in his docucomedies, and, the studio spokesman told Waxman, "With the quantity of material available, I cannot foresee a problem. It's not even April and the film comes out July...
...surprised if Brüno did go backdoor with that guy, on camera. (The actor could tell his fiancée, actress Isla Fisher, that he was just being true to the process.) And I wonder if Baron Cohen isn't urging his sponsors to release the uncut version of Brüno - and forcing them to decide if he's serious or if he's punking them. (See pictures of the 2009 BAFTAs...
...Peckinpah, Ken Russell and Bernardo Bertolucci had a more serious and reckless sense of cinematic adventure than filmmakers do now, when they took an X rating (as the NC-17 was called then) to insure that their visions reached the screen - and when a film existed only in the version that was shown in theaters. Today, the theatrical release is often just a teaser for the "unrated" DVD, like a hardcover book that implicitly promises a smuttier paperback. It's as if, back in the '50s, the hardcover edition of Lady Chatterley's Lover was censored, but the paperback...