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Word: verbalizations (lookup in dictionary) (lookup stats)
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...Benedikt's poems, the body is somehow in a contest with the spirit, while fact struggles with fancy. The result is a verbal battlefield strewn with strange, barely recognizable victims of war, delighting in their own demise...

Author: /time Magazine | Title: Books: Poetry: Combatting Society With Surrealism | 1/24/1969 | See Source »

...powerful, the lethargic and the secretive amid Washington's vast bureaucracy. Seven young volunteers, law students and lawyers from Ivy League colleges, spent their summer examining how well the Federal Trade Commission does its job of protecting the customer. Their 185-page report, released last week, mixes verbal assassination with hard-to-fault criticism of the inadequately staffed and over-comatose agency...

Author: /time Magazine | Title: Investigations: A Youthful Blast | 1/17/1969 | See Source »

...stating his case, he is not above resorting to the most blatant loaded language. One example is his use of a story about one British couple who were driven from their flat by their West Indian landlord "by verbal abuse and filth smeared in and around their toilet...

Author: /time Magazine | Title: World: The Phenomenon of Powellism | 1/17/1969 | See Source »

...Verbal Combat Fatigue. The plot, insofar as there is one, is to get the fiance (Fred Willard), who wants to remain one in perpetuity, to marry the daughter and then do something or other with his life. As a photographer he has specialized in pictures of human excrement, which is presumably Feiffer's ultimate comment on the state of contemporary society. But the fiance is catatonically passive. At one point his would-be bride (Linda Lavin) says with caustic distress: "See, he doesn't know how to fight. That's why I'm not winning." Finally...

Author: /time Magazine | Title: Revivals: Satirical Sniper Fire | 1/17/1969 | See Source »

THERE'S NOT A whole lot can be said about The Open Theatre and its concoction called The Serpent: A Ceremony. They both represent an infant theatrical form as yet more of a reaction against the purely verbal drama than a definite scheme for its undoing. The guiding principles of this reaction are few but give an idea of where the form may be heading. The author, if there has to be an author, is merely one rather docile element of the collaboration; that's to say he provides the words, if there have to be words. The effect...

Author: By James Lardner, | Title: The Open Theatre...and the Closed | 1/13/1969 | See Source »

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