Word: venuses
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Upon a 36-foot, red-satin bed called "The Ardent Couch" an unclad Venus lies dreaming. Of her four uninhibited dreams, the first-an underwater vision called "Venus's Pre-natal Château Beneath the Water"-is the real crowd-catcher. A long glass tank is filled with such subaqueous décor as a fireplace, typewriters with funguslike rubber keys, rubber telephones, a man made of rubber ping-pong bats, a mummified cow, a supine rubber woman painted to resemble the keyboard of a piano. Whatever this may mean as art, the exhibitors did not dilly-Dali...
With its tanglewood of woozy detail, the Dream of Venus took months to assemble, twice postponed its opening. A typical headache was to find water for "Venus's Pre-natal Château" tank that was clear and nondistorting. Ordinary filtered city water finally filled the bill. Another headache was to find 17 girls able to do virtually a vaudeville act under water. Some, like puckish little Kelcey Carr (see cut}, were plucked out of Greenwich Village dives, some were recruited from strictly amateur ranks through friends of the management. All are comely and most...
...Bonwit Teller's Fifth Avenue show windows because Bonwit Teller tampered with his display, is at present berating the Fair because it would not let him exhibit, outside his nuthouse, a woman with the head of a fish. Merrily upping the publicity, Dali's Dream of Venus has sent out a long press release headed: "Is Dali Insane...
...Propaganda Minister Dr. Paul Joseph Goebbels came a symposium of German movies from 1910 to 1939. Labor Front Leader Dr. Robert Ley presented a Volkswagen, the cheap German-manufactured car not yet available to the public. For the Reichsbank Dr. Walther Funk gave a version of Titian's Venus at the Mirror which official Germany now accepts (although many art critics do not) as one of two authentic originals of this painting...
...sensuous space, serenity and golden sublimation, visitors could look on Titian's Lady at the Mirror. Across the room Veronese's Venus at her Toilet turned her opulent, cool and massive back. A pig-eyed, swollen-bellied little courtesan appeared in Lucas Cranach's delicately painted Nymph Reposing. From the 17th Century came a dusky Landscape with Nymphs and Satyrs by France's great Nicolas Poussin. How nude painting became stage prettiness and erotic folderol in 18th-and early 19th-Century France was almost too amply demonstrated in pictures by Watteau, Boucher, Baudouin, Girodet and Prud...