Word: vans
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Harvard took the lead just 16 seconds into the game when Botterill took a pass off the right-side boards from senior defenseman Pamela Van Reesema and tapped the puck past the pads of Cornell senior goalie Sanya Sandahl...
First Period: H, Botterill (Van Reesema, Chu), 0:16. Second Period: H, Botterill (Chu, Hagerman), 0:27. H, Botterill (Corriero, Ruggiero), 5:32. Pell (Skinner, Schroyer), 10:06. Pell (Schroyer, Raimondi), 17:43. Third Period: Ruggiero (McAuliffe, Sweet), 4:45. Botterill (Corriero, Chu), 5:58. Raimondi (Pell, Schroyer), 9:20. Shots: C 1-4-4 9, H 17-17-13 47. Powerplay: C 0-3, H 0-0. Goalies: C Sandahl (47-39), H Ruddock...
...Ruggiero), 4:36. H, Chu (Corriero, Botterill), 5:13. H, Banfield (Raimondi), 9:19. H, Catlin (Ruggiero),. 10:23. Second Period: H, Ruggiero (Botterill), 1:03 (pp). H, Botterill (Holbrook, Crum), 5:45 (pp). H, Botterill (Chu, Ruggiero), 9:22 (pp). H, Raimondi, 11:04 (pp). H, McAuliffe (Catlin, Van Reesema), 16:04 (pp). Third Period: H, Corriero (Chu, Ruggiero), 18:58. Powerplay: C 0-1, H 5-8. Goalies: C Lahar (51-41), H Ruddock (4-4) Smith...
...deserving workers when it was prepared to pay out hundreds of millions of taxpayers' money for a war with Iraq? Says Collis, "I was a Tory, but have voted twice for Labour since 1997 - not again." Collis earns €3,900 a year for driving a fire engine - his van-driver brother earns €,460 more - and finds it hard to pay his mortgage and €70 a month child support for teenage daughters from his first marriage. That's despite the fact that his second wife, Sue, works full time. Collis lives 90 km away from his fire station...
...endlessly looping around a Mobius strip. For this particular arc Williams had a new challenge: imitating wildly divergent mediums, from engraving to wood carving to watercolor with nearly entire issues dedicated to one motif or another. Each cover is also an homage to a different artist both high (Vincent van Gogh) and low (Frank Frazetta). On top of these pencils Mick Gray's expert inks move from dramatically heavy, but never muddy, to delicately ethereal, as the scene requires. The coloring, by Jeromy Cox, likewise has issue-length themes, from aquatic tones to grey wash to red and ultimately heavenly...