Word: uta
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...keeps. When you're a private eye, you want things to stay put." Later, in Yma Dream, Thomas Meehan offers a Carrollian nightmare in which the Misses Chaplin, Sumac, Gardner, Gabor, et al., and the Messrs. Eban, Ehrenburg, Betti, etc., are introduced to Miss Hagen, the actress: "Uta, Yma; Uta, Ava; Uta, Oona; Uta, Ona; Uta, Ida; Uta, Ugo; Uta, Abba; Uta, Ilya; Uta, Ira; Uta, Aga; Uta...
...ever lived. Olivier is on-screen more than anyone else in the The Boys from Brazil, and he hasn't had a movie role this large since Sleuth in 1972. If for no other reason, you should see this film, to see him biting Gregory Peck, hissing at Uta Hagen, or grimacing at Rosemary Harris' attempt to seduce him. (Remember the film of Uncle Vanya, where he lusted after...
Smith showed his class in the first match against Nastase, 26, keeping his cool while the gallery of 6,500 partisan fans shouted "Hai, Ili-uta!" ("Go, little Hie!"). Nastase, an army lieutenant and the closest thing Rumania has to a matinee idol, ran the gamut of his storied antics. He danced back and forth while waiting for a serve, interrupted play to swat at a fly with his racket, and soccer-kicked a ball to the sidelines. The crowd lapped it up, but Smith refused to be shaken. Leading 10-9 in the first set, he responded...
...good" twin are easily distinguished. The Udvarnokys play the twins with amazing unselfconsciousness. They consider themselves people, not cute objects-to-be-admired (as actors or as children). Their matter-of-fact acceptance of the increasingly frightening world around them contrasts with the histrionics of their grandmother (Uta Hagen). Many critics have complained of her overacting, but I liked both the role (which must be credited to novel-and-scriptwriter Tom Tryon) and her portrayal of it. She represents the ancient wisdoms, the old-fashioned mysticism, the Russian excitability that has been assimilated into her descendants' world of jeeps...
...Other marks the movie debut of Uta Hagen, a demigoddess of Broadway (she starred in the original productions of both The Country Girl and Who's Afraid of Virginia Woolf?) and an acting teacher of special renown. It is difficult to fathom her reputation judging from her work here. She is flam boyant to the point of grotesquery, as is Miss Muldaur. But the Udvarnoky boys are appallingly convincing as the fey twins. Mulligan's special talent for directing children (Up the Down Stair case, To Kill a Mockingbird) is again splendidly in evidence here...