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With such conflicting sentiments in mind, Harvard dermatologist and professor Rox Anderson developed the biodegradable Infinitink by encapsulating the pigment in tiny plastic beads that dissolve more easily than regular ink when struck by a laser beam. But there was a problem: tattoo artists hated to use it because it was too thin (which made it look washed out) and the micropolymer beads were incredibly expensive, says Bond, who now works as a consultant for Nuvilex, which makes Infinitink...
...power, power to truth, and Esperanto to the people of the world [1], meaning we’ve missed out on some of the spectacular Harvard social life. Since we’ve been exhausted from trying to catch up on four years of missed fun, we tried to use WolframAlpha.com to write this column, but he just gave us the weather on the day of David Ortiz’s birth. [2] So, inspired by Rocky Balb-onion, the Italian scallion, we return to the one thing that we all have in common: expos. In this paper we will...
...next day or two, to do, and do it hard. 1. Build a sled and slide down Widener steps. This is great for many reasons: one, sledding kicks ass, two, snow rules, and three, speed is way better than not-speed. Special challenge time: use a HUDS Dining Hall tray instead of a sled. Super challenge time: build the sled entirely out of beer. 2. Pretend you’re really attractive and funny and sensitive, and get a really pretty, sweet girl to fall in love with you and then play baseball. 3. Ride a dragon. 4. Invent...
...There wasn’t any space at all for people interested in art,” he said. “There was nowhere we could work.” Studios were reserved for students studying architectural science; students who wanted to create were often forced to use their dorm rooms as ateliers. Frustrated with the lack of space, Szanton approached a dean who conceded a two-room apartment in Dudley House. There, Szanton and a dozen other students could paint and sculpt. The apartment was hardly set up as a studio, but, Szanton said, “there...
...with no supervision and little funding form the University. “Until the Loeb came into existence, we had to raise the money and rent the props. We had to pay to rent lighting and costumes. We had no support from the university, other than being allowed to use various physical facilities,” Henning said...