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...without killing one. Buoyed by such successes, in the postwar years surgeons made rapid advances in heart treatments. But they struggled to perform operations that lasted longer than four minutes, because the interruption in circulation caused brain damage. That changed in 1953, when Dr. John Gibbon Jr. of Philadelphia used a heart-lung respirator to keep an 18-year-old patient alive for 27 minutes while he repaired a hole in her heart, paving the way for open-heart surgeries to enter widespread use. (See pictures of the Cleveland Clinic's smarter approach to health care...
Quinn (We still haven’t gotten used to seeing her out of her uniform) is stuck relying on her fake baby daddy Finn, but he’s broke, so she’s stuck looking like she could use her some public health insurance. Puck, though, is still asserting himself as the father, and shows Quinn he’s resourceful enough to make money even after his “dip and nunchaku” expenses. When the club behaves insensitively toward Artie, Will challenges the team to hold a fundraising bake sale for a handicapable...
...Don’t Stop Believin’,” “Somebody to Love” – but this is one of the best numbers we’ve seen on the show. The sequence is a film unto itself: the use of diagetic and non-diegetic music, the use of the stage and its wings, the amount of information imparted without a single line of dialogue. It’s a heartbreaking, wordless little story with great choreography...
...character in the process. Kevin McHale is rumored to be one of the cast’s most talented dancers, and given his vocal aptitude and how funny he is the behind-the-scenes vids, it would’ve been tempting to give him a bigger chance to use his talents. FlyBy was worried this episode would include a dream sequence where Artie danced, as if the wheelchair-bound spent all day dreaming of walking. Instead, McHale gets to show his ability to emote, which works in the service of deepening the character rather than at the character?...
...Disposal is still a dirty word. Most museum people are too scared to use it," says Jayne Dunn, UCL's collections manager. "We work for the public, but no one's ever thought of asking them what they want." (See the top 10 plundered artifacts...