Word: understandingly
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Dates: during 1930-1939
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...with a few letters now and then from his friends in the Freshmen Dining Halls where he conducts experiments on Lowell House food. By way of a short digression it might be explained that he once upon a time had other Cambridge mail until Radcliffe gave up trying to understand. From this mild suggestion one may gather that, like the Jester, the Vagabond has troubles of his own. But after all, the young people across the Common are ladies and Mr. Curley is Mayor of Boston...
...really hard to understand why your publication, whenever it happens to publish news regarding Italy, these are not only presented in an untrue version, but they are deliberately and wickedly interpreted. It is true that no other publication in the United States parallels yours TIME; but honestly, none ventures so impudently to misrepresent the events and try to alter and mystify the American public opinion about Italy. I chiefly refer to three of your late issues, which I have present, those of Nov. 25, 1929, April 28 and May 5, 1930, filled with fantasticalities, all tried later by facts...
...know that the truth is profoundly different. If all other nations are armed, one cannot understand why only Italy should remain unarmed, or should not arm within the limits of reason...
...Cooper of the U. S. Strange names loom on the Soviet art-frontier. To know Russian esthetics one must be familiar with the work of Theatre Producers Meyerhold, Tairov; Cinema Directors Eisenstein, Pudovkin, Room. Preobrazhenskaya; Poets Yessenin, Maiakovski, Asejev, Blok; Authors Ogniev. Bogdanov, Malashkin; Artists Gabo, Vinogradov, Radimov; and understand the meaning of the Russian symbols, MGSPS. VAPP, NEP, GOSIZDAT (or simply. GIZ), AKHRR, OSA, all of which is clearly set forth in Voices of October. The Authors. No pop-eyed casual visitors to the Soviet Union, Authors Joseph Freeman, Joshua Kunitz, Louis Lozowick, stayed in Russia longer than...
...medium of art, was entirely at ease with the reporters gathered from the metropolitan papers, who hurled questions at him concerning his likes and dislikes of various box office stars. Most of the questions he parried or answered in subtle ambigulties which left the scribes at a loss to understand. True to his idea of how a moving picture should be made, he stated that he would continue to use characters who had impressed him with their faces and not with their acting ability...