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Rushdie has lived in hiding since 1989, when the Iranian government's death sentence forced him to go underground...

Author: By Daniel G. Habib, CRIMSON STAFF WRITER | Title: Rushdie Reads, Jokes For Square Audience | 5/12/1999 | See Source »

Rushdie has lived in hiding since 1989, when the Iranian government's death sentence forced him to go underground...

Author: By Daniel G. Habib, CRIMSON STAFF WRITER | Title: Salman Rushdie Reads, Jokes for Square Audience | 5/12/1999 | See Source »

...brewing between jocks and skateboarders, jocks and Goths, and nearly everyone picking on the guys in the trench coats. Whatever the catalyst, the spring of that year marked a last turning point for Harris. The rage he had displayed on his website didn't abate, but it did go underground, as he honed his ability to fool authority figures, especially parents. "I'd say his parents were in denial, but the truth is, this kid was good," says Randy Brown. "He had a strong, manipulative personality. He could convince his dad of anything." After Harris cracked Brooks' car windshield with...

Author: /time Magazine | Title: Eric Harris and Dylan Klebold: Portrait Of A Deadly Bond | 5/10/1999 | See Source »

...venue in which most of the world's hip hop listeners live the music is at the shows where signed artists come to a town near you to perform their album material. Put simply, next to the cozier, more covert settings of what we can loosely term the "underground," such shows are just weak-wack. Typical rap artists either stand on stage with nothing entertaining to deliver except the mere presence of their stardom (e.g., Jay-Z), or they riddle their acts with gimmicky stage props or too many cohorts (e.g., Nas, Wu-Tang). Or they repeat their tracks with...

Author: By Andres A. Ramos, | Title: Notes on the Beat | 5/7/1999 | See Source »

...student who left his notebook in one of the classrooms, I make my way to the lecture hall at the end of the building and sit down to take in the panel discussion that is already in session. Ostensibly a debate about artists crossing over from the underground music scene to the realm of record labels and music videos, it seems to have degenerated into a shouting contest--a competition of who can declare their world-view the most self-righteously and at the highest volume...

Author: By Richard D. Ma, | Title: This Ol' Dirty Bastard: How I Came to Terms with My Hip-Hop Roots | 5/6/1999 | See Source »

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