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MOLES Technologies, such as ground-penetrating radar and acoustics, that detect, locate and map underground or concealed cavities in which terrorists could hide...

Author: /time Magazine | Title: The Pentagon's Wish List | 11/5/2001 | See Source »

Michael, a feckless Hong Kong singer-songwriter, sits in a Beijing restaurant delivering an ambitious pitch: he, too, could be a star on the mainland. Beijing rocker Road (Geng Le), his starry-eyed girlfriend Yang Yin (Shu Qi) and other members of their underground band are skeptical. The mainlanders mock Michael's Hong Kongese-ness and bait him to party like a man. Michael (Daniel Wu) reaches into his pocket and pulls out some spliffs. "Ah," says Yang, "the Hong Kong peasant grows...

Author: /time Magazine | Title: A Question of Identity | 11/5/2001 | See Source »

With Sumner taking over vocal duties and experimentation with then-innovative uses of drum machines and synthesizers, New Order became the founding fathers of 1980s dance music. Their integration of electronica and synthetic rhythms (popular in the underground at the time) with instrumental pop music fostered a new movement of new wave dance that melted the pre-existing border between club and pop formats...

Author: By Dan Cantagallo, CRIMSON STAFF WRITER | Title: 'Get Ready': A New World Order | 11/2/2001 | See Source »

...Harry G. Kimball has a well-developed theory to explain the phenomenon. “We are similarly alienated from mainstream music, but in different ways,” he says. “What we play is underground, obscure: Punk, Hard Core, Indie Rock, ... The prisoners tend to think older, more traditional Heavy Metal. There is a difference between what they want and what we play, but we’re the only music station that accepts requests and is easy to call...

Author: By E.b. Schraa, CRIMSON STAFF WRITER | Title: You Get One Phone Call. Jailhouse Rock | 11/1/2001 | See Source »

Williamsburg, Brooklyn, the ultra-cool alternate SoHo, makes the perfect location for an "underground" event about "underground" comix. About 150 people from the New York comixcenti gathered last Thursday in a cavernous performance-space-cum-bar near the East River for the second in a series of shows known as "Comics Decode." Taking another step into the realm of comix as performance, "Comics Decode" has comicbook authors read aloud a selection of their work and then take questions about it. Through its early steps "Comics Decode" exposes the challenges of bridging private and public art forms...

Author: /time Magazine | Title: Comix as Performace | 10/30/2001 | See Source »

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