Word: underground
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Dates: during 1960-1969
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...letters-some silly, some tragic-come into the Berkeley Barb, East Village Other, Los Angeles Free Press or any of 15 underground newspapers in the U.S. and abroad. Their language is raw, often misspelled, jangling with obscenities. A few are transparent put-ons. Most, though, are hippies' cries for help on medical matters. Dropping out of "straight" society provides no immunity to mankind's injuries and germs. Like everyone else, the members of the long-haired generation are often ignorant and afraid...
...owner of a Manhattan nightclub called The Scene, and now his manager: "Johnny is a freak in the sense of being a unique individual, and chicken soup in the sense that he is a human being and nice as well." Last November Paul read about Johnny in an underground newspaper, dashed down to see him, brought him back to The Scene, then watched him knock 'em dead at the Fillmore East. Immediately, the word about Johnny began to spread through the pop underground, and four major record companies began bidding for his services. Columbia won, and Johnny...
...chief, Dr. C. Walton Lillehei, to send for the organs that his staff could use. While the body was perfused with oxygenated blood to ward off tissue degeneration, Lillehei's assistants removed the eyes for fresh-cornea transplants, both kidneys and the heart, and rushed them by underground tunnels to waiting surgery teams. Within a few hours, the Lillehei group had transplanted the heart (into a 36-year-old man), both kidneys and one cornea-the second cornea a day later...
Even before the museum closed for its renovation, Elliott had displayed a showman's flair for lively, avant-garde exhibitions. In the museum's auditorium, courageous Hartford patrons have been exposed to the underground films of Bruce Conner, the dances of Merce Cunningham, the electronic music of Karl-heinz Stockhausen. But Elliott does not think of himself as primarily an exhibitionist. "I think there are too many special exhibitions going on," says Elliott with a trace of exasperation. "You exhaust your public with temporary shows and they never get upstairs to see your permanent collections...
...fears that we had last spring was that the program might easily become another underground railroad for talented black youths to "escape" the South. This was why the program was designed as an exchange--western students coming South to college, and southern students going West to college. To try to encourage some of last year's students to return to their communities to contribute their skills to the development of that community, we are now trying to recruit as many of last year's students as possible to work with FOCUS in their communities. The program could be no more...