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From Rome to Ankara to Karachi to Kabul journeyed the President of the U.S., and to Teheran, Athens, Tunis and Casablanca. And everywhere, he carried his message, understandable to all and backed by unbroken U.S. performance: "We want to live in peace and friendship?in freedom." More than that: "We want to help other peoples to raise their standards, to be as content with their lot as humans can be." To India's Parliament, he spoke of "a great awakening" in which the world's peoples have come to recognize "that only under a rule of moral...

Author: /time Magazine | Title: THE PRESIDENCY: Man of the Year | 1/4/1960 | See Source »

...dome 92 ft. above the ground. Paintings were to be tilted backward, "as on the artist's easel"; lighting would come from skylights above the ramp and would be reflected downward by louvers. "The net result of such construction is greater repose," Wright declared, "an atmosphere of the unbroken wave-no meeting of the eye with angular or abrupt changes of form...

Author: /time Magazine | Title: Art: Last Monument | 11/2/1959 | See Source »

...moment may belong essentially to Kathryn Humphreys, who plays the young girl--her whole performance, the best in an excellent production, is compellingly pathetic yet radiant--but the whole evening is full of similar small epiphanies, finely executed by the company. The play's success depends entirely on an unbroken series of these momentary beauties; on the present occasion this success is never in doubt...

Author: By Julius Novick, | Title: The Glass Menagerie | 10/26/1959 | See Source »

...argon. Most of these notions come close enough to Tillich's to be intellectually "shoe," however, and their conformity to the negative doctrines of some of the authorized Judeo-Christian mystics gives them a certain eccentrically orthodox sanction that allows the West's religious tradition to appear superficially unbroken...

Author: By Friedrich Nietzsche, | Title: The Religion of Unbelief: Ethics Without God | 9/21/1959 | See Source »

Events move swiftly and suddenly in this play, almost as fast as those of Macbeth. Over and above this, much can be done to cover up the structural shortcomings by maintaining a rapid and unbroken flow. Much has been done in this regard in the current Stratford production, under the direction of Jack Landau. Landau has wisely allowed only one intermission. And, using a somewhat trimmed text, he has on occasion overlapped the scenes; for instance, the Capulets' ball gets under way before Romeo and his pals on the street outside have finished their say. The resulting production...

Author: By Caldwell Titcomb, | Title: Romeo and Juliet | 6/29/1959 | See Source »

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