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Word: trombonist (lookup in dictionary) (lookup stats)
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...because I can't resist him." Apart from his candor, orchestras respond to Solti partly because of his personal combination of warmth and frost, partly because of his seemingly endless store of energy and intensity. "With Solti there's always this momentum going," says Jay Friedman, principal trombonist of the Chicago. "The architecture of a piece of music always comes across. Even in very slow passages you're never standing still. I think it's because something metaphysical happens. The music he makes seems to transcend what he does physically...

Author: /time Magazine | Title: Solti and Chicago: A Musical Romance | 5/7/1973 | See Source »

Only two bands made up of New Qrleans old-timers still remain. They're both based at Preservation Hall, on St. Peter Street just off Bourbon, and so many of their members have died in recent years that the two bands have to share their trombonist, clarinetist, and drummer. These ancient jazzmen play with the vigor they must have had in the barrelhouse saloons and honky-tonks where they played in the twenties. But nowadays they go on tour and play at Lincoln Center and at Symphony Hall, where they were March...

Author: By Richard Shepro, | Title: Jazz Preserved | 3/15/1973 | See Source »

Robinson gets more solo opportunities than is usual for the trombonist, perhaps because, though over 80 years old, he is the spryest of the group. He was alive when Buddy Bolden formed the first real jazz band, back around 1895, with 16-year-old Bunk Johnson as second cornet. Johnson took over the band after Bolden's health failed, and some years later Robinson played with...

Author: By Richard Shepro, | Title: Jazz Preserved | 3/15/1973 | See Source »

Died. Wilbur De Paris, 72, Dixie land trombonist who played with Louis Armstrong, Duke Ellington and Jelly Roll Morton during the '20s, '30s and '40s, and then with his own band be came a durable jazz figure on New York City's 52nd Street during the '50s; in Manhattan...

Author: /time Magazine | Title: Milestones, Jan. 15, 1973 | 1/15/1973 | See Source »

...wood slats fastened like steps up and down vertical tubes that rim the rear of the stage. Some seats are as high as six feet; no two are in the same sight line. It pleases the players that each of them is entirely visible to the audience, although a trombonist who gets up carelessly to take a bow can easily topple to the floor...

Author: /time Magazine | Title: Music: Barge Man | 7/26/1971 | See Source »

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